“This is a partial autobiography. The important things are missing.” — William Cody Maher

The collection includes photographs by Signe Mähler. The German translations are by Walter Hartmann.

The poet reads an excerpt from his poem, “Pornography.”

He died at home in Frankfurt, peacefully, surrounded by family. Jürgen Ploog was 85. “Jay,” the name he went by among close friends, was widely regarded as one of Germany’s premiere second-generation Beat writers. But his narrative fiction—like that of William S. Burroughs, a mentor with whom he was associated—was more experimental and closer to Brion Gysin’s or J.G. Ballard’s than to Jack Kerouac’s or Allen Ginsberg’s.

Jay called his style “cut prose,” an adventurous collage technique developed from the cut-up methods formulated by Burroughs and Gysin back in the late 1950s and early 1960s. He was a gifted visual collagist as well, producing hybrid works in recent years such as Flesh Film, a fever dream of a novella originally published in a digital prose-only edition by realitystudio.org, and subsequently perfected in print by Moloko+.

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