Music for a Monday morning.
In a Time of Crisis . . .
. . . here’s a tune to calm the nerves. It’s called “My Fate Is in Your Hands,” composed by Fats Waller and played by Dick Hyman. An anecdote goes with it. But first the tune.
Kurt Wold: ‘Stradoferous’
“I dreamt I could play the bicycle. This performance artwork plays with a number of themes, not the least of which is the continual contemporary pressure to present oneself as larger-than-life, in the hope that one might be noticed in a distracted culture. Of course the work also revels in those distractions.” — Kurt Wold
Fluxus Impresario Readied for His Closeup
A feature documentary about the impresario of the international avant-garde art movement Fluxus from 1962 to 1978. Interviews with artists include Yoko Ono, Jonas Mekas, and Nam June Paik. Dedicated to cooperative methods and expanded processes, Fluxus could be everything and almost anything: kits, shops, festivals, islands, weddings, food, or Flux Lofts—a network of artist-owned lofts in SoHo, New York. The iconoclastic George Maciunas and the spirit of Fluxus provoke questions still critical to many working artists . . . and a helluva lot of silly serious fun.
Fluxus, Intermedia and . . .
The Something Else Factor: Alison Knowles, Barbara Moore, Martha Wilson and I will be participating this evening in a panel about the glory days of Something Else Press, moderated by Hannah B. Higgins, at the Emily Harvey Foundation. It’s the first of four discussions organized by Christian Xatrec and Alice Centamore. The events are free. RSVP to ehf.nework@gmail.com
A Gothic Tale Set in Black and White
Other works by Ligia Lewis include Sensation 1/This Interior (High Line Commission) (2019); so something happened, get over it; no, nothing happened, get with it (Jaou Tunis) (2018); Melancholy: A White Mellow Drama (Flax Fahrenheit, Palais de Tokyo) (2015); minor matter (2016), a poetic piece illuminated by red; Sorrow Swag (2014), presented in a saturated blue; $$$ (Tanz im August) (2012); and Sensation 1 (sommer.bar, Tanz im August -2011, Basel Liste- 2014).
Encore: A Little ‘Newspaper Music’
This reading of a Fluxus piece by Alison Knowles from 1962 was recorded probably in 1967. The cassette tape was salvaged from a recent basement flood and digitized by the indefatiguable S|U staff. Ear plugs may be helpful in some passages.
Alison Knowles: ‘Proposition #2 for Emmett Williams’
A transcript of this piece was published under the title “A house of dust, computer poem” in FANTASTIC ARCHITECTURE edited by Wolf Vostell and Dick Higgins (Something Else Press, 1969). The reading, on a cassette recording made ca. 1967, was salvaged from a recent basement flood at S|U’s Manhattan perch. It features four readers, including Alison Knowles and Dick Higgins. Any help identifying the two other voices would be appreciated.
We’re Listening to Some Cool Music
This is a recording of the WHRB radio program JAZZ SPECTRUM broadcast on April 25, 1995. Olivia Herman was the deejay.
Home Again
Home again. / They were / her last words. / She never / had a home. / She slept in ditches / under bridges / near old / railroad tracks. . . .
Power Malu Shines at 2019 Ackers
The honorees at the 2019 NY Acker Awards made some terrific statements about the history of the Lower East Side and their commitment both to the community and to the arts, but a rap performance by Power Malu about the devastation in Puerto Rico, where people are still struggling to recover from Hurricane Maria and from the Trumpistan government’s failure to provide proper help, was the most notable of the evening.
2019 NY Acker Awards Held at Theater for the New City
The Acker Awards, now in their sixth year, are a tribute given to members of the avant-garde arts community who have made outstanding contributions in their discipline in defiance of convention, or else served their fellow writers and artists in outstanding ways. The award’s novelist namesake, in her life and work, exemplified the risk-taking and […]
Patchel’s ‘Plinkout’
Keith Patchel, a New York-based composer and producer, has created a free online/mobile application called Plinkout, which he is touting as “the easiest way to teach anyone,” especially kids, how to play an instrument as well as how to learn “the core cognitive ideas of music.” He’s looking for funding to complete his project, and […]
Beckett’s ‘Rockaby’ Set by William Osborne
In William Osborne’s setting of ‘Rockaby’ we hear the whispered thoughts of an old woman during the last twenty-five minutes of her life accompanied by the dirge of four distant trombones. “Those arms at last…”
Doowah… Doowah… Doowah…
![Portrait of William S. Burroughs © by R. Crumb [1985]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2018/02/RCRUMB-portrait-of-Burroughs-366x470-200x200.jpg)
Have you ever seen a movie trailer about a writer that swings like this one?
‘Miriam, Part 2, The Chair’
“A woman trapped in domestic boredom moves toward a nervous breakdown. Institutionalized, she attempts to create a performance for a shortly expected visit from her children, but can find no words to express her feelings. She discovers she has no language of her own and recedes more and more into silence. Only her instrument can serve as an expression of her […]
NNOI Festival = 90% Water
Living organisms are gathering near the old water mill in Groswaltersdorf, 70 kilometers north of Berlin. NNOI Festival 2018 July 12 — Crossposted at IT: International Times, The Newspaper of Resistance. EmailFacebookTwitterReddit