This is balm for dreamers.
Vlad the Impaler
‘You’re occupiers. You are fascists. Why the fuck did you come here with your guns?’ Ukrainian woman confronting Russian soldiers in Henichesk, in southern Ukraine. ‘Take these seeds and put them in your pocket so, at least, sunflowers will grow on your graves.’ (Translated by Alex Abramovich)
‘Bells ring / silently the evening / rolls in its void’ — Paul Celan
Let’s All Say Goodbye to Spotify
The music-streaming service claims that “listening is everything.” But it’s tone deaf. And many agree. As do we.
News as Muse
David Erdos: ‘A Penis for Christmas’
In the grand tradition of Heathcote Williams’s verse polemics, the poet David Erdos rounds on British Prime Minister Boris Johnson and the latest scandal of his corrupt administration.
William Burroughs Reminds Us
‘The Rulers of This Most Insecure of All Worlds Are Rulers By Accident, Inept Frightened Pilots’
‘Not one-man rule or rule of aristocracy or plutocracy but a small group elevated to positions of power by random pressures and subject to political and economic factors that leave little room for decisions. They are representatives of abstract forces that reach power through surrender of self.’
‘A Low-Rent Shangri-La Beyond Borders’
‘As the steep streets bow to the river,
I have been falling through holes
for some months seeking a new underworld …’ — David Erdos
Mustill Artworks Newly Archived at Emory University
Norman Ogue Mustill (1931-2013) was an American artist, who primarily used collage as his medium. He was born in Montreal, Canada and was educated at the Montreal Museum of Art and Ecole Des Beaux Artes. During the 1950s, Mustill lived in New York (New York), Los Angeles (California), and Mexico City (Mexico). He moved to San Francisco (California) in 1960, which led to collaboration with filmmakers, painters, and poets of the beat generation. Mustill was not interested in being a public figure and avoided the art world. He adopted the middle name “Ogue,” which he took from the fashion magazine Vogue to protest the fashionable.” — Stuart A. Rose Manuscript, Archives, and Rare Book Library
Moloko to Publish Dutch Mordant
“All drawing from the imagination I’d consider a form of automatic drawing; if it exists, it will exist only for the first time. … I think [my images] arise from the instinctive tendency to not look for semblances or analogies. Meaning, to find all that happens in spite of me—imagination versus verisimilitude. One forever seems to be looking for a dimension not directly visible and through the technique at one’s disposal express the sensation that evokes.” — Gerard Bellaart
Making a Chapbook of Poems and Drawings
A high-speed look at the dummy shows the pages in sequence. See the spreads on Barcham Green paper ready for sewn binding.
Mustill’s ‘Critic’ in Motion
Norman O. Mustill made “Critic” on paper, in 1971. He didn’t put much trust in critics. The musical symbols cascade down the page, the letter decays beneath them, and they all disappear into nothingness. I take it as satirical comment.
Keith Patchel, R.I.P.
Keith Patchel, an American composer and musician, has died. He was 65. One of his musical legacies is the chamber opera “The Plain of Jars,” about America’s secret war in Laos. Anthony Haden Guest called it “the lineal descendant of Stravinsky’s ‘Nightingale’ and Alban Berg’s ‘Lulu’ and ‘Wozzeck.'” His “Pluto Symphony,” created for the Hayden Planetarium, was nominated for the 2015 Pulitzer Prize.
‘Ode to Idealism’
A Contemporaneous ‘Day of Imagination’ in Brooklyn
Contemporaneous, an ensemble of some two dozen musicians, started out at Bard College as the brainchild of a pair of undergrads. Now, more than a decade later, the ensemble is based in New York City and continues to thrive professionally. It will present its largest production to date on Sept. 18. Billed as The Day of Imagination, the program at the Irondale Center in Brooklyn will feature three sets over a full day, four world premieres, six hours of music, and 50 artists.
On Propaganda
Milton Glaser ♥ Information, Not Persuasion
The late graphic designer, most famous for creating the I LOVE NY logo, had a strong dose of advice more than a decade ago for the propagandists among us — the marketers, advertisers, public-relations spinners and, yes, journalists — along with citizens-at-large facing an onslaught of political campaigns.
‘Water Stone Words’
This short movie evokes the rich heritage of humankind’s creative responses to the natural environment over millennia. The creators of “water stone words” — filmmaker Ed O’Donnelly, sculptor Kenny Munro, and writer/poet Malcolm Ritchie — made the movie over a period of six days.
Paris Conference: Total Assault on the Culture
Scholars, poets, writers, translators, and artists to celebrate the works of Claude Pélieu and Mary Beach. Featuring Benoît Delaune, Jacques Donguy, Franca Belarsi, Matthieu Perrot, Bruno Sourdin, James Horton, Pierre Joris, Gérard-Georges Lemaire, Peggy Pacini, Pamela Beach-Plymell, Antonio Bonome, and Raphael Haudidier.
A Great One Died Four Years Ago Today
![Heathcote Williams [Photo: JH, 2013]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2017/07/heathcote-williams-photo-copy-200x200.png)
“He was the Shelley of his age and more.” —Gerard Bellaart
“As you sat In your dotage, fountain pen / Pouring futures onto the calligraphied page / With such ease, That every political pose / And every social Shift achieved scansion, / rhyming under you, the verse surgeon whose / equal vision and zeal cured disease.” — David Erdos
Cut-ups, Music, Soundscapes
Moloko CD: ‘Being On The Beat’
This 23-track CD compilation includes a 28-page booklet of essays, illustrations, and detailed track descriptions. The CD is dedicated to the memory of Jürgen Ploog.