‘It will be SOoooo beautiful like never before!’
Mr. Big Mouth Sounds Off
The Ugly Spirit … with commentary
I know where this image came from. It began with the random association of two photos that I sliced up longitudinally with a razor, then laid the resulting strips side by side. I subsequently photographed it, dropped out the background and very slightly manipulated the color and sharpness. The result seemed to me utterly surprising, just as confounding, and very disturbing. In a word, scary.
A Kiss Is Still a Kiss
Which the Beauty? Which the Beast?
I’m With Amélie Cardy and Cézanne on This
Cold Turkey Press is publishing an illustrated, four-page folio of “Frankly Speaking” with a drawing by the young British artist Amélie Cardy in an edition limited to 36 copies. And a poster of the poem with a drawing by Cézanne is seeking a publisher.
‘American Porn’ for the Orange Man’s Inauguration Day
Here we go again. To mark the resumption of our long nightmare, my staff of thousands thought it apt to repost this from 2017:
On the day he is sworn in as the preening el presidente of a tin-pot United States of Trumpistan, enabling him to run the country like a division of his family-held company, Thin Man Press will release American Porn, a collection of “investigative poems about American history, culture and politics” by Heathcote Williams.
What Trump Really Wants . . .
. . . is your money. Here’s his latest tacky tin-cup beg.
Not Like Frank O’Hara, But . . .
Since it’s very late
in the afternoon,
long past time for lunch,
please pardon my
dishevelment. . . .
New in French Translation
Sinclair Beiles’s Selected Catastrophies & Other Poems
As part of the Beat Hotel crowd in Paris during the late-1950s and early ’60s, Sinclair Beiles collaborated on the first book of avant-garde cut-ups, “Minutes to Go,” with Brion Gysin, William Burroughs, and Gregory Corso. While working at Maurice Girodias’s Paris-based Olympia Press, he was a key editor who helped shepherd Burroughs’s “Naked Lunch” into print. It is his incandescent poetry, however, for which he should be most remembered. But despite praise for his poetry from such luminaries as Burroughs and Leonard Cohen, his writing has rarely surfaced outside the small-press literary world. “Catastrophes Choisies” is not Beiles’s first poetry collection to appear in French, but it is the most elaborate..
Bringing It All Back Home
She gave Zeus a headache … which he deserved.
Poem Without a Hero
You spoke in biblical flourishes,
assailed others with a rhetoric
deadlier than the barrel of a gun.
When you pulled the trigger,
your power overwhelmed
what lesser men most fear —
the death of all and everything.
The Once and Future Prez
aaaaarrrrrffffff !!!!!!
American Sphinx
No words needed.
The Late Brion Gysin (1916-1986) Is Having a Moment
Over the years he had many, in fact, although few of them lived up to his expectations. But never mind. An updated model of his and Ian Sommerville’s Dreamachine was recently featured in a symposium on art, AI, and the humanities here in New York; and another will be installed in London at the Tate Modern, in the exhibition “Electric Dreams: Art and Technology Before the Internet,”which will run from the end of this month (Nov. 28) to June 1, 2025. Meanwhile, Roger Knoebber has brought Gysin back to life in a shaggy, unconventional book-length profile, “Hysteresis.”
Buckminster Fuller’s Versified Prose
By my philosophy
The finite, but imponderable
Metaphysical Universe
Embraces the definite,
Ponderable, physical Universe.
‘Finite’ is not unitarily conceptual.
‘Definite’ is unitarily conceptual.
I have mathematical proof …
Does the Dreamachine Elude AI? Yes It Does.
Scholars and specialists addressed ethical and political considerations surrounding AI in collaborations with human creators. Topics ranged from AI aesthetics to the early history of machine learning, from multimedia art to computational research experiments with artificial intelligence, including AI biases and applications.
Fools, Fanatics, and Flunkeys
“The dodo bird cheered, swaggered, and strutted away.”
‘The Hanging’ and ‘Wheel of Fortune’
These drawings, which appear in “di Umbris,” a dossier of Gerard Bellaart drawings just published by Moloko, were not intended as commentary on current events. But I can’t shake the sensation that they are.