The artist Tomi Ungerer has died at the age of 87. He was “a lifelong activist who protested against racial segregation, the Vietnam war and the election of US President Donald Trump . . .” Speaking about himself as an artist, Ungerer said, “I have the full respect of a piece of white paper, which I then shall rape with my drawing or my writing. When I draw, it’s the real me.”
‘Beyond the Vanishing Points …’
This old cartoon strip by Gary Lee-Nova has a black Sluggo, and it’s a form of appropriation art. Will that cause a storm of viral outrage?
Catching Up to the Past
“Buckle your seatbelt and fire up your time machine. You are about to blast yourself back nearly fifty years to a simpler time when America was at war, the country was polarized, a crazed and despised president of the United States was in charge, cops were considered racist pigs, cannabis was omnipresent, and young radicals […]
Deformed Sonnets for My Old Friend
The artist Norman Ogue Mustill was an extreme dissenter. Nothing pleased him more than reaming out the human race. His collages stopped you dead with their vicious satire, like the writings of William S. Burroughs, and for technical precision Max Ernst didn’t do better. But Mustill is little known, his work unseen, his praise unsung. […]
Auschwitz & the Art of Advertising
Something was horribly wrong with the full-page ad for an upcoming exhibition about the Auschwitz death camp. It appeared yesterday on Holocaust Remembrance Day. I know the folks behind the ad meant well. But really . . . Auschwitz and the art of advertising are a nauseating mix. Here’s the unthinking kicker which caught my […]
Election Day in America
Speaking of small-press publications, we are still waiting for Carl Weissner’s Le Regard d’Autrui to go live in a new posthumous trade edition, as promised. But Amazon KDP has been doggedly screwy. Please pardon the delay. (It is now available.) Meanwhile, Printed Matter, the best place in New York to find artists’ books, has just […]
Cold Turkey Press: A Bibliography
I don’t know exactly how many chapbooks, folios, broadsides, and poetry cards Cold Turkey Press has published. I never counted. But it must be in the hundreds. All of them—produced in handmade, illustrated, and limited editions—are unique manifestations of their publisher’s mind: scholarly without being academic, exotic but not obscure. They constitute an archive that […]
‘Gently, Gently, Stronger, Harder, Deeper’
UPDATE: Jan. 23 — “Le Regard d’Autrui” may now be purchased in the U.S., the U.K., Germany, Italy, Japan, France, and Spain. CARL WEISSNER (1940-2012) was the preeminent German translator of dissident writers such as Charles Bukowski, William S. Burroughs, J.G. Ballard, Ken Kesey, Bob Dylan, Allen Ginsberg, Frank Zappa, and Nelson Algren, having published […]
No Shore Receives Them
The front-page story by Patrick Kingsley in today’s print edition of the NY Times, “Rescued Migrants, at Sea for Weeks, Struggle to Reach a New Life,” calls from the depths. “We are crying,” said one of the migrants in an interview on the boat this week. “We can see Malta with our own eyes, but […]
Infected by Light Verse
![Drawing by Malcolm Ritchie [2018]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2019/01/Drawing-by-Malcolm-Ritchie-2018border-360x528enh-200x200.jpg)
A rational deformation that should have been left in the drawer to ferment into something deranged as well as deformed, this is instead a poème d’occasion. As Ikkyū once said, “Ask nothing from words on a page.”
Doowah… Doowah… Doowah…
![Portrait of William S. Burroughs © by R. Crumb [1985]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2018/02/RCRUMB-portrait-of-Burroughs-366x470-200x200.jpg)
Have you ever seen a movie trailer about a writer that swings like this one?
‘Miriam, Part 2, The Chair’
“A woman trapped in domestic boredom moves toward a nervous breakdown. Institutionalized, she attempts to create a performance for a shortly expected visit from her children, but can find no words to express her feelings. She discovers she has no language of her own and recedes more and more into silence. Only her instrument can serve as an expression of her […]
Goodbye to 2018—And Good Riddance
!['Victorian Smoker' [Undated collage by Norman O. Mustill]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2015/11/victorian-smoker-enh-200x200.jpg)
poème d’occasion It was a small price to pay for a poem, or maybe more than one— only $7.50 at 50% off. It wasn’t a book of poems but a dream palace— not even a palace but a pocketable retreat in the woods on sale at year’s end. So good riddance to 2018, annus horribilis. […]
When Cinephiles Celebrate Reading
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Reality as a Metaphysical Construct
It is a rare thing when a book comes along that looks as magnificent as Flesh Film and reads like an hallucination. To be clear, Jürgen Ploog is an author who does not write for everyone. The “story” he tells in Flesh Film has the pulpy tone of science fiction, a narrator who sounds like a globe-trotting private […]
Tales of Doomsday Eros
Supervert is — as he writes— “the assumed name of a writer using the techniques of vanguard aesthetics to explore novel sexual pathologies.” His latest book, the fifth in a series of six he has planned, is Apocalypse Burlesque: Tales of Doomsday Eros. You could easily call his books transgressive. Consider the titles: Extraterrestrial Sex […]
Asher’s Algren: ‘Lovely’ Word Is Coming In
UPDATE BELOW … The title of Colin Asher’s forthcoming biography of Nelson Algren, Never a Lovely So Real, is taken from Algren’s description of Chicago. But it might as well apply to the biography itself. E.g.: “This is the third biography of the great Nelson Algren, and it’s easily the best and simply an extraordinary […]