From one painter to another:
‘Short nights
short of long days
For distant hours
Open to foul tide
And so he wanders
Between dawn & shifty sky …’
Arts, Media & Culture News with 'tude
by Jan Herman
by Jan Herman
Scholars, poets, writers, translators, and artists to celebrate the works of Claude Pélieu and Mary Beach. Featuring Benoît Delaune, Jacques Donguy, Franca Belarsi, Matthieu Perrot, Bruno Sourdin, James Horton, Pierre Joris, Gérard-Georges Lemaire, Peggy Pacini, Pamela Beach-Plymell, Antonio Bonome, and Raphael Haudidier.
by Jan Herman
“He was the Shelley of his age and more.” —Gerard Bellaart
“As you sat In your dotage, fountain pen / Pouring futures onto the calligraphied page / With such ease, That every political pose / And every social Shift achieved scansion, / rhyming under you, the verse surgeon whose / equal vision and zeal cured disease.” — David Erdos
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
The books have become a worry.
They’ll live long beyond my need for them.
Looking at them this last evening,
The pages I chase, filled with fear,
Their words redacted by death
As colorful lines in time blacken
And I grow blind to the visions
That each volume contains with each year.
I would have to do nothing but read
Which I still can’t properly do at this moment . . .
— David Erdos
by Jan Herman
by Jan Herman
by Jan Herman
Have you ever seen a more revealing photo of Brion Gysin than the one on the cover of “His Name Was Master: Texts; Interviews”? It shows a profound sense of dislocation, something Gysin often talked about but rarely showed in his demeanor—which was characteristically grand and worldly and often laced with humor. This sprawling book by Genesis Breyer P-Orridge with Peter Christoferson and Jon Savage offers Gysin in talking mode. It is Gysin uncut. Having already been comprehensively reviewed in The Brooklyn Rail, it needs no review from me. More interesting than anything I might have to say is Gysin’s account of his brief, teenage involvement with the Surrealists. The disappointment, not to say trauma, of that experience was a harbinger of later ones.
by Jan Herman
by Jan Herman
by Jan Herman
Your blast calculations were
right on the money, my boy
the armored wall of poetic imagination
collapsed under your hand
But what the hell
happened to your right leg?
The knee is swollen like a pumpkin
in the African grass of your fervid nights.
Why didn’t the ship’s boilers explode
on the high seas
and put an end
to your misery?
by Jan Herman
by Jan Herman
by Jan Herman
by Jan Herman
Back soon.
an ArtsJournal blog