Honoré Daumier went to prison for six months for his 1831 lithograph after its publication in a satirical illustrated periodical that appeared weekly in Paris, “La Caricature morale, politique et littéraire.”.
The Late Brion Gysin (1916-1986) Is Having a Moment
Over the years he had many, in fact, although few of them lived up to his expectations. But never mind. An updated model of his and Ian Sommerville’s Dreamachine was recently featured in a symposium on art, AI, and the humanities here in New York; and another will be installed in London at the Tate Modern, in the exhibition “Electric Dreams: Art and Technology Before the Internet,”which will run from the end of this month (Nov. 28) to June 1, 2025. Meanwhile, Roger Knoebber has brought Gysin back to life in a shaggy, unconventional book-length profile, “Hysteresis.”
Buckminster Fuller’s Versified Prose
By my philosophy
The finite, but imponderable
Metaphysical Universe
Embraces the definite,
Ponderable, physical Universe.
‘Finite’ is not unitarily conceptual.
‘Definite’ is unitarily conceptual.
I have mathematical proof …
Does the Dreamachine Elude AI? Yes It Does.
Scholars and specialists addressed ethical and political considerations surrounding AI in collaborations with human creators. Topics ranged from AI aesthetics to the early history of machine learning, from multimedia art to computational research experiments with artificial intelligence, including AI biases and applications.
David Erdos: ‘The United Hates of America’
You can be sure his poem will not be read at the Orange Turd’s coronation.
A Second Look
Touched by a Documentary Ode to Nelson Algren
Some years ago I criticized Michael Caplan’s documentary ode to Nelson Algren as the cinematic equivalent of a pop tart. Now that I’ve had another look I see that I was very wrong.
Human Figuration as an Expression of Ideas
These drawings move across centuries, from the Middle Ages to our blighted times in an unflinching rawness that gives no comfort. Nothing is omitted. You will find the sexual inscribed like watermarks of passion and anguish. The demonic appears in equal measure with the angelic. Most of all, not unlike cave drawings of prehistoric times, they are an existential record of a particular creature, Bellaart by name.
‘What Is There to Frighten Us?’
the world’s condition
was never intended
to forego the pleasure
of a passing hope
Lionel Ziprin: ‘One of the Secret Heroes of Our Time’
“I am not an artist. I am not an
outsider. I am a citizen of the
republic and I have remained
anonymous all the time by choice.”
I Guess It Had to Happen
Julian Peters has done Poe, Rimbaud, Frost, Keats, Dylan Thomas, Wordsworth, Oscar Wilde, Villon, Yeats, Sassoon, and plenty of others — and they’re all damn well done — so why not T.S. Eliot?
‘Dear Willy’ Tells a War Tale of Love and Hope
The letters that Hollywood director William Wyler and his wife Talli wrote to each other during World War II are the basis of a new documentary directed by Taylor Alexander.
Underground Railroad: Walt Whitman Bears Witness
… to “the runaway slave” in his most famous poem, “Song of Myself,” which first appeared untitled in his self-published collection Leaves of Grass, in 1855.
One More Missive from the Department of Letters
By popular demand, here’s another letter from Nelson Algren, this time a big fat gossipy one apparently in reply to questions that Roger Groening must have posed.
Not a Bad Way to Start the Week
Cleaning out one of my desk drawers, I came across a long-forgotten file folder containing a ream of letters from Nelson Algren to Roger Groening. They are a motherlode of humor, wit, and edifying entertainment, and from time to time I will post more of his letters to Roger..
‘The glide begins, direction down …’
THE HAPPY GIRL
The glide begins, direction down,
the happy girl has gone to hell.
She lies in bed, her mouth an O,
her breath a whisper of dissent.
They Come at Night
WHISPERS
the face
that launched
a thousand ships
has sailed
and not in beauty
Tipped by a Friend and Glad to Know
“Thought this would give you a smile,” he wrote. “Look whose book shows up in the first pic of this article.” It appears from the photo that my biography of the Hollywood director William Wyler, “A Talent for Trouble,” turned up in the secondhand book sale of the late Robert Gottlieb’s private library.