Straight Up | Jan Herman

Arts, Media & Culture News with 'tude

I’m With Amélie Cardy and Cézanne on This

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Cold Turkey Press is publishing an illustrated, four-page folio of “Frankly Speaking” with a drawing by the young British artist Amélie Cardy in an edition limited to 36 copies. And a poster of the poem with a drawing by Cézanne is seeking a publisher.

‘American Porn’ for the Orange Man’s Inauguration Day

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Here we go again. To mark the resumption of our long nightmare, my staff of thousands thought it apt to repost this from 2017:

On the day he is sworn in as the preening el presidente of a tin-pot United States of Trumpistan, enabling him to run the country like a division of his family-held company, Thin Man Press will release American Porn, a collection of “investigative poems about American history, culture and politics” by Heathcote Williams.

New in French Translation
Sinclair Beiles’s Selected Catastrophies & Other Poems

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As part of the Beat Hotel crowd in Paris during the late-1950s and early ’60s, Sinclair Beiles collaborated on the first book of avant-garde cut-ups, “Minutes to Go,” with Brion Gysin, William Burroughs, and Gregory Corso. While working at Maurice Girodias’s Paris-based Olympia Press, he was a key editor who helped shepherd Burroughs’s “Naked Lunch” into print. It is his incandescent poetry, however, for which he should be most remembered. But despite praise for his poetry from such luminaries as Burroughs and Leonard Cohen, his writing has rarely surfaced outside the small-press literary world. “Catastrophes Choisies” is not Beiles’s first poetry collection to appear in French, but it is the most elaborate..

Poem Without a Hero

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You spoke in biblical flourishes,
assailed others with a rhetoric
deadlier than the barrel of a gun.
When you pulled the trigger,
your power overwhelmed
what lesser men most fear —
the death of all and everything.

Once Again, What Would Daumier Make of Trump?

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Honoré Daumier went to prison for six months for his 1831 lithograph after its publication in a satirical illustrated periodical that appeared weekly in Paris, “La Caricature morale, politique et littéraire.”.

The Late Brion Gysin (1916-1986) Is Having a Moment

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Over the years he had many, in fact, although few of them lived up to his expectations. But never mind. An updated model of his and Ian Sommerville’s Dreamachine was recently featured in a symposium on art, AI, and the humanities here in New York; and another will be installed in London at the Tate Modern, in the exhibition “Electric Dreams: Art and Technology Before the Internet,”which will run from the end of this month (Nov. 28) to June 1, 2025. Meanwhile, Roger Knoebber has brought Gysin back to life in a shaggy, unconventional book-length profile, “Hysteresis.”

Buckminster Fuller’s Versified Prose

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By my philosophy
The finite, but imponderable
Metaphysical Universe
Embraces the definite,
Ponderable, physical Universe.
‘Finite’ is not unitarily conceptual.
‘Definite’ is unitarily conceptual.
I have mathematical proof …

Does the Dreamachine Elude AI? Yes It Does.

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Scholars and specialists addressed ethical and political considerations surrounding AI in collaborations with human creators. Topics ranged from AI aesthetics to the early history of machine learning, from multimedia art to computational research experiments with artificial intelligence, including AI biases and applications.

Human Figuration as an Expression of Ideas

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These drawings move across centuries, from the Middle Ages to our blighted times in an unflinching rawness that gives no comfort. Nothing is omitted. You will find the sexual inscribed like watermarks of passion and anguish. The demonic appears in equal measure with the angelic. Most of all, not unlike cave drawings of prehistoric times, they are an existential record of a particular creature, Bellaart by name.

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