“At age 84, Plymell continues to write, publish and perform—“doing nuttin”, as he says—from his home in Cherry Valley, New York. His activities keep Plymell in steady correspondence with a crowd of like-minded hellions, including rockabilly’s Bloodshot Bill, Sonic Youth founders Kim Gordon and Thurston Moore, bassist Mike Watt, filmmaker Mark Hanlon, guitarist Bill Nace, photographer Philip Scalia and musicologist Byron Coley. Plymell and his wife, Pam, first happened upon Cherry Valley in late 1969 in coming to visit Allen Ginsberg and Peter Orlovsky at their East Hill farm. Moving there for good in early 1970, the Plymells have set into adding to their immense creative legacy.” – Benito Vila

“So I sit there with earphones, mind you West End of forgotten City East of what used to be a shade of time. Let’s not get into that again… machine gun fire loud & clear… airplanes moving in low & forgotten now like battles in the Pacific… distant artillery for the Americans don’t forget that buddy… sound of Japanese commandos… & Germany end of July 45, 17 sec. past the deadline… sunny morning in Hiroshima, stones trees houses people dust… it’s the 15th with transcribed music… cracks in the record, the unconditional surrender of Hollywood to TV…” — Jürgen Ploog

“I was struck by poems made of lines that are poems all on their own—even as they unstack into melodic steps from top to bottom . . . Some are as spare as Chinese widsom. In Herman’s poems you know you are certainly ‘somewhere’ but maybe it’s somewhere only in atavistic memory, the realm of dreams. He writes with what Lavinia Greenlaw called ‘unsettled language,’ which brings less obvious aspects of imagination or observation to the fore . . . teasing, holding attention by where they might be heading. A doubtful adventure? A seductive noire? An obscene history lesson? And of course, mortality raises its knowing head more than once.” — Jay Jones