It’s a 16,000-word letter that Neal Cassady wrote to Jack Kerouac, who said it was his inspiration for On The Road. The letter, written in 1950, went missing and was found in an attic in Oakland, California, in 2011. Now for the first time it is being brought out in full by the London-based publisher Black Spring with an introduction by the noted Beat scholar A. Robert Lee, along with illustrations. I’m betting Lee will tell us if the letter really was the inspiration for On the Road—Kerouac, true to his calling, loved to make things up— and if he really did adopt his prose style from it. The reality is likely more nuanced than the legend.
Artist Ed Ruscha Dumps on Fossil-Fueled Trump & Co.
Ed Ruscha‘s latest poster “EE-NUF! VOTE!” offers this commentary: “Get Richer” / “Bye-Bye Roe Vs. Wade” / “Highway to Hell” / “Fast Track to Facism” / “Gobble More Gas” / “Kids in Cages” / “EE-NUF EE-NUF” / “You’ve Got the Most to Lose” / “Green Light Pollution” / “Gateway to White Supremacy”
Van Dyek Parks tweeted the poster today with this comment: “We will weave civility into the torn fabric of our flag—-with illuminations from the arts—by the likes of So-Cal’s adopted son Ed Ruscha.”
This Kind of Journalism Helps Make a Newspaper Great
‘Until recently, many Americans had never heard of the Tulsa Race Massacre.’ From The New York Times: ‘A Search for Hallowed Ground.’ Photographs by Joseph Rushmore and Gary Mason. Text by Campbell Robertson.
Booted!
This is what the people did back then: Infamous William M. Tweed, the corrupt 19th-century NYC power broker whose ring of cronies controlled the government purse, manipulated the legislature, and embezzled hundreds of millions of dollars, was booted from office in the election of Nov. 7, 1871. Thomas Nast depicted him in defeat as a bloated, gouty Roman consul clutching a broken sword, wearing a royal headband of threadbare dollar signs and a sovereign medallion off his miserable likeness on his fat belly. Fast forward to Nov. 7, 2020.
Outside the Walls: ‘Being Free’
For more than 50 years Ben Vautier has worked “outside the walls,” embracing daily life in its multitude of contradictions. Now, in “Being Free,” an exhibition opening July 11 and running through October 11 in Chamarande, France (about 50 minutes south of Paris), he brings together more than 400 works which document his prodigious output.
Is It a Moon Shot? Nope, It’s a Book Chat.
Follow the countdown—the days, hours, minutes, and yes, even the seconds—to Blake Gopnik’s chat with Annalyn Swan about his biography of Andy Warhol. Well, it IS a big book. Big in page count (976). Big in subject (Warhol’s influence rivals Picasso’s.) Stellar in praise. (I’ve read only one review that dumps on it, persuasively.) So okay, a countdown.
A San Francisco Little Mag Subscription-cum-Ad-Rate Card
This is what one looked like in the old days—1968 to be precise—and have a look at those prices. Then check out the contributors.
Can the Internet Do This? Nope.
Folio as ‘objet d’art’: “Death in Marseille” by Carl Weissner. Translated and edited from the German by Keith Seward & Jan Herman. Designed and printed by Gerard Bellaart on Handmade Barcham’s Greenpaper. Trim size: 328×220 mm. Edition limited to 12 copies.
Collage by Late Cubist, Age 8, Bored in Lockdown
Boredom sometimes works wonders . . . with teacher’s help.
Latest Find Thrills Collector of Rare Burroughs/Gysin Books
Jeff Ball’s latest acquisition—a first-edition copy of “The Exterminator”— is not only signed by both William Burroughs and Brion Gysin but has original artwork that Gysin drew and signed on an inside page. “I’m giddy!” says Ball, whose collection of rare first editions by Burroughs and associated writers, includes some of the most hard-to-find materials anywhere.
GC CUNY Keeps the Conversation Going:
LGBTQ Pride Month Conversation with Patrisse Cullors, co-founder of Black Lives Matter
Artist, organizer, and co-founder of Black Lives Matter, Patrisse Cullors is the co-author of the best seller “When They Call You a Terrorist: A Black Lives Matter Memoir.” At the age of 16, Cullors discovered her passion for helping young queer women facing the challenges of poverty, prejudice, and violence. In 2013, she co-founded the #BlackLivesMatter movement, which has grown into an international organization fighting anti-Black racism. She spoke with Justin T. Brown, executive director of CLAGS: The Center for LGBTQ Studies.
Lilliane Lijn’s ‘Power Hanky’
Makes me think of … “Summertime.”
Moloko+ Releases Maher’s New Poems in Bilingual Edition
“This is a partial autobiography. The important things are missing.” — William Cody Maher
The collection includes photographs by Signe Mähler. The German translations are by Walter Hartmann.
The poet reads an excerpt from his poem, “Pornography.”
Clayton With a Period, Full Stop
Over the years two dozen items about or related to Clayton Patterson have appeared on this blog. It’s an indication of the staff’s interest in his cultural significance. Patterson’s importance in general, but especially on the Lower East Side of New York City, comes from his commitment to social and political values for the good of his community. He has put his life on the line to document and preserve it in a way that few are brave enough to do. Now his role as both activist and outsider artist in his own right is the subject of a new book, titled simply Clayton.—yes, with a period—full stop. For those who know him, or of him, his name alone is sufficient to tell the story. For those who don’t, Permuted Press has gathered a group of remarkable graphic artists to tell it.
Jürgen Ploog, R.I.P.
He died at home in Frankfurt, peacefully, surrounded by family. Jürgen Ploog was 85. “Jay,” the name he went by among close friends, was widely regarded as one of Germany’s premiere second-generation Beat writers. But his narrative fiction—like that of William S. Burroughs, a mentor with whom he was associated—was more experimental and closer to Brion Gysin’s or J.G. Ballard’s than to Jack Kerouac’s or Allen Ginsberg’s.
Jay called his style “cut prose,” an adventurous collage technique developed from the cut-up methods formulated by Burroughs and Gysin back in the late 1950s and early 1960s. He was a gifted visual collagist as well, producing hybrid works in recent years such as Flesh Film, a fever dream of a novella originally published in a digital prose-only edition by realitystudio.org, and subsequently perfected in print by Moloko+.
GC CUNY Keeps the Conversation Going:
Six Fast-Paced Doctoral Presentations on Diverse Topics from Solar Energy to Anti-Corruption Laws
Tune in today—Tuesday @ 7:30 p.m.—for a 30-minute online showcase in TED-style talks.
Borges: ‘To Whoever Is Reading Me’
You are invulnerable. Have they not granted you,
those powers that preordain your destiny,
the certainty of dust? [. . .]
Dark, you will enter the darkness that awaits you,
doomed to the limits of your traveled time.
Know that in some sense you are already dead.