UPDATED // To rate collectors by the use they make of their collections rather than simply by completeness, or by the rarity and excellence of individual items, makes great sense. Jed Birmingham’s new series about collectors of Burroughsiana is essential reading for anyone interested in the usefulness of collecting books of any kind, not just those by Williams Burroughs.
Rare Book Collecting
New Folio from Cold Turkey Press
The stone lion at the gate
wears a mask like mine.
This is where I used to wait
for books that bind,
that put my mind at ease.
From Bike Messenger to Filmmaker
Rich Allen’s ‘Street Shots / Hooky’
When a book begins like this, notice must be taken: “I woke up, New Year’s Day 1970, in a straitjacket. I had no memory, of anything, at least not at first. I was in an asylum on Long Island after taking an overdose of some pills a shrink gave me. Slowly awareness arose. … I asked to have the jacket removed and they did. Bit by bit memories came back. I could recall details of my childhood. I remembered I’d married Cathy, my girlfriend, months ago when she turned eighteen … In a few days I felt normal.”
Oprah Interview Misses the Bigger Picture
In all the press coverage I have seen of Oprah Winfrey’s interview with Meghan and Harry, it has been treated as a tale of personal tragedy, a terrible racist family squabble, for the British royals — but not one mention of the larger tragedy at the heart of Heathcote Williams’s “Royal Babylon,” namely the immense damage caused by the monarchy’s greedy, rapacious treatment of peoples and nations the worldover.
Gary Lee-Nova: ‘Oblique Trajectories’
A survey exhibition of the artist’s work over more than four decades.
The exhibition at the Burnaby Art Gallery in Burnaby, B.C., Canada, will run until April 18, 2021.
The Sleep of Dreams
A contemporary artist visualizes an idea by the 17th-century ‘father of modern philosophy.’
Moloko Print
Two New Books of Poems in Bilingual Editions
One by yours truly, “Your Obituary Is Waiting.” It’s a collection of “deformed sonnets,” with German translations by Gregor Pott and “flypaper collages” by Norman Ogue Mustill as counterpoint. The book design by Robert Schalinski, the paper, and the print quality are to die for, no pun. The other is “The Return” by William Cody Maher, also bilingual, with German translations by Walter Hartmann and photos by Signe Mähler, designed by Ralph Gabriel. And again the quality of the production is stunning. Furthermore, in a joint production, Moloko and Sea Urchin Editions have released “The Ex-Terr Poems” by Ed Sanders with his drawings, in an English-only edition, designed by Anneke Auer. I haven’t seen the book itself but I would bet the quality of the artifact matches the others.
Let’s Talk About Literary Exposure
Some would call it visibility. If you’re talking books, how about millions upon millions of Youtube views for a reading from Supervert’s ‘Necrophilia Variations.’ A dozen years ago when that video had two million views, I called it “viral reading.” Three years later, on Dec. 30, 2015, the video had 18.6 million views. Today it has some 28 million views. So what has this meant for selling the book?
Jim Haynes, RIP
Brad Spurgeon memorializes him: “End of an Era, but not of a Philosophy of Life.” I never met Jim. But he was extraordinarily welcoming when we corresponded by email about the strange case of Orwell’s typewriter.
Let’s Begin the New Year . . .
. . . with an old poem by a late friend: “buster / duchamp / and / marcel / keaton / walked / down / an / exploding / staircase / hand / in / hand / covering / their / immodesty / with / twinkling / dead / pans / did / marcel / keaton / and buster / duchamp”
Heathcote Williams: ‘Cobalt Blues’
I was reminded of ‘Cobalt Blues’ this morning by Louise Erdrich’s op-ed “Not Just Another Pipeline” about “a tar sands climate bomb” in Minnesota now under construction and racing “to lock in pipeline infrastructure” before it can be stopped.
‘Burroughs and the Dharma’
William S. Burroughs was not a Buddhist: he never sought or found a “Teacher,” he never took Refuge, and he never undertook any Bodhisattva vows nor—for that matter—did he ever declare himself a follower of any one faith or practice.. He did not consider himself a Buddhist. But he did have an awareness of the essentials of Buddhism, and in his own way, he was affected by bodhidharma.
On Account of the Pandemic . . .
VACCINE: It’s not a matter / of knowing we will end— / though it’s no fun, / that is not the matter— / everything will end. / The matter is, / there’s no cure for that. / When death is deleted / by coding—digital, / genetical, biochemical— / whatever combination / it takes—something else / will provoke us. Freud / thought it perpetual.
Pandemic Poems From Cold Turkey Press: Mistress Death
This handmade, 16-page chapbook is not about Covid-19, but the virus is present in every line.
REDUX: The Shithole and the Shithouse
Originally posted Jan. 17, 2018. By now many, many millions of people have seen the rebranded Trump International Hotel in Washington, D.C. Or if they haven’t, at least that many have googled it. If you’re the one person who hasn’t seen it, here it is. And here, not incidentally, is Trump’s Shithouse in Washington D.C., also known as The White House.
His Birthday Was 79 Years Ago Today
Heathcote Williams was an unstoppable force. Even in death he is unstoppable. His writings, his activism, and his personal example continue to inspire others. At heart, Williams was a revolutionary. The historian Peter Whitfield placed his work in a “great tradition of visionary dissent” stretching from William Blake and John Ruskin to DH Lawrence and David Jones. I had the privilege of recording Williams’s final vinyl LP-cum-CD, “American Porn,” at his home in Oxford several years before he died. The poems he read — “Mr. President,” “The United States of Porn,” “Forbidden Fruit, or The Cybernetic Apple Core,” and “Snuff Films at the White House” — were in their uncompromising nakedness CT scans of history.
Another Lesson in the Art of Drawing
We’ve been following Amélie, a talented, 14-year-old student artist whose drawing has shown impressive skill. The last time she was asked to copy a sketch by Daumier. The point of that exercise was to shape the forms through the tonal value of the lines rather than outlining them with a fixed line. The idea was to develop the contours of the forms through the process of drawing. This time she was asked to draw an object as part of a study of natural forms.