Straight Up | Jan Herman

Arts, Media & Culture News with 'tude

Search Results for: Clayton patterson

Into the Mainstream
MoMA to Feature Clayton Patterson Documentaries

by

“Canadian-born multimedia artist and writer Clayton Patterson has lived through, and broadly documented, more of outsider culture and the evolving history of New York’s Lower East Side than anyone else of his generation. The virtually unseen archive of VHS and 8mm videos he shot there between 1986 and 2001 numbers over 2,000 tapes of astonishing diversity. … Always resolutely on the fringe, as a videographer he is best known for recording the battle between New York City police and protesters in the streets around Tompkins Square Park on the night of August 6, 1988, an event that led to multiple court appearances and appearances with Oprah and others on the talk show circuit.” — Ron Magliozzi, MoMA Curator Department of Film

Clayton Patterson and the Front Door

by

Artists and retail stores have a history. Bonwit Teller on 5th Avenue featured avant-garde art from 1929 to 1980, starting with Salvador Dali in ’29 and including Jasper Johns in 1957. Warhol in the 1950s did windows for Tiffany’s. In that tradition Cody Simon has curated a show at Sneakersnstuff-NYC featuring Clayton Patterson’s Front Door photo series. The photos, taken at his Lower East Side storefront gallery and living quarters on Essex Street, go back to the mid-1980s up through 2019. They include a large Hispanic collection and are also multigenerational. Some of Patterson’s subjects now have children older than he was when he first photographed them.

‘Outside In’: Clayton Patterson at the Howl Gallery

by

Now that ​A​i Weiwei has his passport back, ​will he​ ​​make it to New York in time to catch Clayton Patterson’s art exhibition, “​O​utside In”? Ai says he’s heading to Berlin, and he’s planning shows of his own in London. Since ‘Outside In” at the Howl Gallery runs only through mid-August, chances are he won’t […]

Clayton Patterson on Jewish History of the Lower East Side

by

Nobody I know is better versed in the history of Manhattan’s Lower East Side than Clayton Patterson. And I’d be willing to bet that nobody at all is more devoted to, or more articulate about, the history of the Jews who lived on the Lower East Side. He was interviewed a year ago — Feb. […]

Clayton With a Period, Full Stop

by

Over the years two dozen items about or related to Clayton Patterson have appeared on this blog. It’s an indication of the staff’s interest in his cultural significance. Patterson’s importance in general, but especially on the Lower East Side of New York City, comes from his commitment to social and political values for the good of his community. He has put his life on the line to document and preserve it in a way that few are brave enough to do. Now his role as both activist and outsider artist in his own right is the subject of a new book, titled simply Clayton.—yes, with a period—full stop. For those who know him, or of him, his name alone is sufficient to tell the story. For those who don’t, Permuted Press has gathered a group of remarkable graphic artists to tell it.

A Matter of Attribution & Legacy

by

“The art world has disfigured the legacy of the Puerto Rican Lower East Side artist Angel ‘LA2’ Ortiz by failing to acknowledge his contribution to Keith Haring’s work. Nobody has dealt with the racist issue of his exclusion from the Keith Haring legacy. Nobody of any consequence in the art world has the internal strength to deal with this ‘oversight.’ We all know what it is like to be cheated out of our rightful credit. But years’s worth of credit? Even though Ortiz’s art is clearly visible for all the world to see in Haring’s work? Ortiz has been cheated out of his credit in shows at prestigious museums, in books published by powerful institutions like the Whitney, and in credit left off Haring’s work at a world-famous auction house. Just totally ignored. Would that happen to a white artist?” — Clayton Patterson.

Downtown Scene
Reclusive Artist Elsa Rensaa Spreads Her Wings

by

The New York gallerist James Fuentes is presenting Elsa Rensaa’s paintings in a two-part exhibition: OUT OF THE WILDERNESS AND INTO THE BLUE. “Her paintings, rendered with meticulous applications of thin acrylic washes,” he says, “bring forth lush, syncretic visual portals. They draw from a vast and visionary range of references, including Ancient Nordic, Egyptian, and Eastern imagery, in addition to Renaissance, Art Nouveau, and Dada art movements, with a Lower East Side iconography that is distinctly recognizable as Rensaa’s own.”

Jerry Pagane, Art Warrior

by

Born in 1948, underweight, no ears, and on Christmas Eve dumped on a church step. In the ’40s and ’50s people were afraid of the deaf. Imagine the mental isolation. The system had no way of dealing with a deaf orphan. He was placed in Pressley Rigeway for Disturbed Children and Home for Cripple Children, and seven foster homes.

2019 NY Acker Awards Held at Theater for the New City

by

The Acker Awards, now in their sixth year, are a tribute given to members of the avant-garde arts community who have made outstanding contributions in their discipline in defiance of convention, or else served their fellow writers and artists in outstanding ways. The award’s novelist namesake, in her life and work, exemplified the risk-taking and […]

Acker Awards to Honor One-of-a Kind Artists

by

I don’t know what the late Kathy Acker would think of an award given in her name to non-conforming artists. I assume an experimental punk novelist and poet would like the idea of supporting artists who don’t conform. Although awards are besides the point especially for non-conformists, they do generate publicity. And unless I’m wrong, […]

Opera: America’s War Without End

by

Anthony Haden Guest calls “The Plain of Jars” — a chamber opera by Keith Patchel about America’s secret war in Laos — “the lineal descendant of Stravinsky’s ‘Nightingale’ and Alban Berg’s ‘Lulu’ and ‘Wozzeck.’” I haven’t seen it yet, but my staff of thousands tells me it “exposes the wounds caused by America’s use of […]

‘Street Gangs of the Lower East Side’

by

It’s rare that the tireless staff of thousands agrees to post a guest review. But there are exceptions. Review by Jerome Sala The Street Gangs of the Lower East Side offers a provocative eyewitness history of gang culture in the context of the whole diverse, eccentric and sometimes revolutionary LES scene of the ’70s through […]

Boris Lurie’s ‘NO!art’ Mounted in Berlin

by

NO COMPROMISES! | The Art of Boris Lurie at the Jewish Museum Berlin looks like a major, absolutely must-see show. But the title reminds me of a huge compromise at the heart of it. Lurie, a Holocaust survivor, lived in New York like a pauper. But when he died he left about $80 million. He’d […]

The Outsider Writer on the Inside of the Outside

by

Charles Plymell (Charley to those who know him, Charlie to those who don’t) has been an outsider for decades, self-declared and otherwise, railing against everything that smacks of the inside — especially the arbiters of government arts grants, who have unfailingly overlooked him, even against his old friend Allen Ginsberg, whom he relentlessly excoriates for […]

From the East Village, ‘Ten Talk New York’

by

Thanks to Clayton Patterson, “the great connector,” I met his friend Simon J. Heath the other day. Simon is an Australian-born filmmaker who’s in love with New York City. The latest evidence is “Ten Talk New York,” a fast-moving flick that features interviews with New Yorkers thinking out loud about sex, love, race, and death. […]

Say It Ain’t So . . .

by

Last Bohemian Turns Out the Lights Clayton Patterson, Rebel and Photographer, Plans to Leave the Lower East Side for Europe

This blog published under a Creative Commons license

an ArtsJournal blog