“He fell to thinking . . . slowly, listlessly, wrathfully. He thought of the vanity, the uselessness, the vulgar falsity of all things human. All the stages of man’s life passed in order before his mental gaze (he had himself lately reached his fifty-second year), and not one found grace in his eyes.”
“Everywhere the same everlasting pouring of water into a sieve, the ever-lasting beating of the air, everywhere the same self-deception—half in good faith, half conscious—any toy to amuse the child, so long as it keeps him from crying. And then, all of a sudden, old age drops down like snow on the head, and with it the ever-growing, ever-gnawing, and devouring dread of death . . . and the plunge into the abyss! Lucky indeed if life works out so to the end! May be, before the end, like rust on iron, sufferings, infirmities come. . . . He did not picture life’s sea, as the poets depict it, covered with tempestuous waves; no, he thought of that sea as a smooth, untroubled surface, stagnant and transparent to its darkest depths. He himself sits in a little tottering boat, and down below in those dark oozy depths, like prodigious fishes, he can just make out the shapes of hideous monsters: all the ills of life, diseases, sorrows, madness, poverty, blindness. . . . He gazes, and behold, one of these monsters separates itself off from the darkness, rises higher and higher, stands out more and more distinct, more and more loathsomely distinct. . . . An instant yet, and the boat that bears him will be overturned! But behold, it grows dim again, it withdraws, sinks down to the bottom, and there it lies, faintly stirring in the slime. . . . But the fated day will come, and it will overturn the boat.” — THE TORRENTS OF SPRING
Richard says
Ah, Jan, so happy to see – a favorite writer and I wish he were more in circulation! My brother introduced me to Turgenev- he is now in assisted living home after stroke. This piece would be a great one to read over the intercom at the place! Stay well, dear Cousin and your family!
Jan Herman says
and now on to Turgenev’s SMOKE, which a close friend tells me is his favorite.