Not long ago Walter Hartmann sent me photos of several Moleskin notebooks that our cherished friend Carl Weissner left behind when he died. They’re captivating. Many of the handwritten notes made their way into Death in Paris, Carl’s bravura novel about a serial killer. “It is not quite natural for a guy around 50 who’s […]
Archives for October 2013
Harold Norse: ‘Take a Chance In The Void’
Via sloowtapes: During the early ’60s Harold Norse was living in Paris at 9 rue Git-le-Coeur, later known as the Beat Hotel. Also living there were William Burroughs, Brion Gysin, Gregory Corso, and Sinclair Beiles. All of them experimented with cut prose, a form of collage applied to texts and audiotapes. Norse made the technique […]
Gay ‘Kit’ Marlowe: Poet, Spy, Elizabethan Proto-punk
LATEST UPDATE: Sept. 1 — “Killing Kit” is to be staged in a London try out. The production opens at The Cockpit on Sept. 21. FURTHER UPDATE: Feb. 15 — The reading came off well, I’m told. Somebody in The Cockpit audience tweeted: “Beautiful, meaty, dangerous Elizabethan play for today’s Elizabethans. Real writing. Great night.” […]
New From Cold Turkey: ‘Pricelessly Outrageous’
!['Le Regard d'Autrui' by Carl Weissner [Cold Turkey Press, 2013]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2013/10/Le-Regard-DAutruifrontcover360.jpg)
When Carl Weissner died, unexpectedly, he was only 71. “Le Regard d’Autrui,” now published for the first time, posthumously, by Cold Turkey Press, was written in English. Why in English and why with a French title are unclear. What is clear, however, is that the tale shows him to have been a master storyteller as […]
Algren Actually Had Some Hope for Kerouac, at First
![Nelson Algren's review of 'On the Road' [Chicago Sun-Times, Sept. 8,1957]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2013/10/ALGREN-on-ON-THE-ROAD240.jpg)
Anyone interested in Nelson Algren’s opinion of Jack Kerouac would get the impression from an item I posted several years ago that he was less than enamoured of him. Which would be accurate. After all, the item — about Algren’s indelible review of Kerouac’s 1965 novel Desolation Angels — was titled “The Beats Left Algren […]
Chris Burden Saved From the ‘Clutches of History’
![“America” featuring 625 painted-cardboard submarines [1987]](https://www.artsjournal.com/herman/wp/wp-content/uploads/2013/10/Burden-Navy-Ships.jpg)
Roberta Smith really digs the Chris Burden show at the New Museum. “Extreme Measures” is not only “a superb survey, but also a kind of transfiguration,” she writes in her NY Times review. “It liberates the Los Angeles-based Mr. Burden from the clutches of history.” I’m uncertain of what she means by the “clutches of […]
Two Poe Shows — One at the Morgan, One on Paper
Not being a Poe man myself, I asked a friend who happens to be an avid Poe man, how he would describe him. His reply — “The best writer, the best bad writer, America ever produced” — was pretty much a capsule preview of Charles McGrath’s excellent feature in this morning’s NY Times about the […]