Here’s the poster … 
And here’s what the poster says …
The Beat writers have been photogenic icons of American dissent, while their opposition to Cold War Americanism was crucially mediated by trans-national affiliations. In this context, the French Connection was fundamental, and Kerouac, Ginsberg, and Burroughs should all be recognized as Francophiles. Indeed, their identifications with French writers played a central if surprising role in defining their individual visions, as a reappraisal of recent Beat photographic history reveals.
