Guess who the critic is talking about:
1) Frank Sinatra
2) Bing Crosby
3) Mel Tormé
4) Tony Bennett
The man practices artless art. He takes verbal liberties, even makes occasional
mistakes. Since he doesn’t seem to notice or care, no one else can. He chats between songs. He
invites the audience to ignore the command in the programme that applause be withheld until the
end of each group. He basks in relaxed glory, and cultivates the illusion of spontaneity. When he
tells stories, he demonstrates a vast dynamic range and crisp diction in a variety of accents. He
colours the text boldly or subtly, as needed. He shares interpretive secrets. In the process, he turns
Carnegie Hall, capacity 2,804, into a cozy parlour.
5) None of the above.
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