John sends this link along with the note: “Any responsible music journalist would have to say something about this.” (Attention delicate readers in the crowd: You probably want to skip this clip.)
Alas, I fear I am left speechless.
Sadly, these folks are not. Corey notes the operatic possibilities inherent within. Anyone?
(Speaking of forged birth records, do we have any proof that ol’ Orly here is not actually Sasha Baron Cohen’s lost twin sister?)
Sasha Baron Cohen’s twin sister? I think you meant to type, “twin brother.” ‘Cept Sasha’s falsetto is far, far more convincing.
(Hey, it’s Thursday night, I’m doin’ battle with a double quintet and I’m losing, and I was bored… who knew Molly would be so generous as to offer such fabulous 21st Century post-Modern, mindless mondo bizarro fodder to those of us stuck in our studios?) 🙂 Phew. Now I can compose, newly inspired!
I’ve been captivated by this clip about surviving the festival
http://www.youtube.com/watch?v=CrUOLXdXhCM
I’m not sure whether the juggalos are amusing or vaguely disturbing.
See you at the gathering!
Nice juxtaposition, Molly – an opera combining the two might yield some wonderful results, though only if the Orly character was mute…
One more juggalo link:
http://www.boingboing.net/2009/08/18/dark-carnival-of-the.html
Molly adds: Awww, Dave, these are the moments when I miss college house life most. Ahh, Athens.