It was a labor of love: there would be no other reason to spend a decade sifting through thousands of pages of previously published work for this massive "gathering of memoirs, reportage, criticism, profiles, interviews, and some uncategorizable extras," as the subtitle puts it, in charming 18th century fashion. I was excited to discover the 1360-page tome in the slush pile at the women's magazine … [Read more...]
Apollinaire, Tuesday, November 11:
Gillian Murphy, pillar of fire. The ABT ballerina brings Tudor to life … [Read more...]
Gillian Murphy, pillar of fire
In dance, and even moreso in the subset of ballet, we don't possess such a supply of geniuses that we can afford to demote any of them to the merely good, or even to era-specific genius. So between the video testimonies that Baryshnikov, Agnes de Mille, and director Kevin McKenzie proffered to the soothsaying powers of Antony Tudor at American Ballet Theatre's celebration in his honor a couple of … [Read more...]
Apollinaire, Thursday, November 6:
So, it can happen here. … [Read more...]
We got there
I just didn't believe it could happen--this, our new First Family. I'd been calculating and recalculating the electoral votes since the beginning of October--you know, switching a NH for a CO, a Michigan for a Pennsylvania, etc., etc.,--and maybe by Monday, I'd arrived at a glimmer of hope: perhaps he could pull off 280 electoral votes. (Please, please.) But after the election of Bush for a … [Read more...]
Apollinaire, Thursday, October 30:
American Ballet Theatre's stupendous spring season (for those who want to skip jail/winter and go straight to go) … [Read more...]
American Ballet Theatre’s 2009 spring season: cheering
I know, we haven't even resigned ourselves to winter yet and I'm already drooling over ABT's spring season, but I just got the schedule, and I thought while you were in the ABT mood--they are currently dancing at City Center--I'd alert you to the glories ahead. First, a world premiere by new ABT recruit Alexei Ratmansky to Prokofiev, paired with Balanchine's early, Expressionist "Prodigal … [Read more...]
Apollinaire, Tuesday Oct. 28
The scribbling class, the yawning ass: why critics should resist the B-word, unless they're willing to back it up … [Read more...]
The scribbling class, the yawning ass
It's always bothered me when critics call a work or performer "boring," but now Susan Sontag, in her 1965 essay "One Culture and the New Sensibility" (from Against Interpretation), helps put my finger on why: The charge of boredom is hypocritical....Boredom is only another name for a certain species of frustration. The moment a critic declares (through her nose) that she is bored, she's abdicated … [Read more...]
How to make lazy, sleepy, or dopey friends and relatives laugh–and get them to the polls ontime
See, this video can be custom made for every well-intentioned Obamaite you know who just might take too long a nap on Election Day. Watch it, edit it, and send it out. We might as well turn our election jitters into something useful (and funny). (You ask, isn't this just a bit off topic, Apollinaire? I say, Only in the narrow view of things). … [Read more...]