Yes, ridiculous: now that all the nuts are cracked, I get around to posting these. It was an especially bountiful Nutcracker season here in New York. Besides the glorious perennial, New York City Ballet's Balanchine production, Ratmansky mounted his very own version for ABT and Mark Morris's Hard Nut made a rare (too rare, I say) East Coast appearance. The Ratmansky excited me so much, I hardly … [Read more...]
Archives for 2010
Monday December 27
The Ailey legacy, misinterpreted by the founder's own company … [Read more...]
The yearly Ailey surprise
Because Alvin Ailey American Dance Theater has tended to extrapolate badly from its founder's aesthetic and ethos, I forget every year what a strong craftsman Ailey was. Even when he was tired, the work had merit. Revelations is always my first reminder of his craft--and, no, he wasn't tired for that--followed this year by Cry, Night Creatures, and the final section of Three Black Kings. In fact, … [Read more...]
Saturday November 27
Neither here nor there: dances that don't bridge a gap … [Read more...]
Neither here nor there
Hmmmm.... It must be something in the air--or in me--that the experimental works this month seemed too much between one thing and another, without ever wresting their own potent identity. They felt insufficiently steeped, like a stew that hasn't sat and simmered long enough for the flavors to blend. With Neil Greenberg's (like a vase), the steps were precise yet coded, private, partial: Neil … [Read more...]
November 8:
European import: bright young choreographers from overseas … [Read more...]
European import
This season we've had contemporary European dance not only at BAM, the usual suspect, but also at the Joyce, with Belgium's Ballets C de la B earlier this month and more recently Cedar Lake, its reputation as purveyor of B-list--or at least green--European choreographers (with a few A-list Israelis in the mix) now solid. I sound typically New Yorker, don't I? Jaded to the point of provinciality. … [Read more...]
Saturday, October 23
the exciting bother of writing about strange, meta-meta, pieces. … [Read more...]
Conundrum: how to write about left field shows
With dances that use an academic or codified language, the route to the matter at hand is relatively direct. Not so when not steps, not structure, but method--more intangible, less empirically provable--is the reigning force. In that case, it doesn't do for the critic to isolate effects; they are mere flotsam--analogues. Of course, writers do isolate all the time, with the result that the dance … [Read more...]
Sunday October 10
The tricky craft of curation, more philosophies than a choreographer could have dreamed of, and other thoughts for the beginning of the season … [Read more...]