Last time, I mentioned the idea of "small wins." It's a common concept in change management discussions and a fairly self-evident one. Still, I've been struck by the number of community engagement professionals leading organizational transformation to community engagement who have cited it as a critical factor in the process. These mini pilot projects developed jointly with new community partners lay the groundwork for bigger things, establish … [Read more...]
What They Want
There is an unfortunate tendency on the part of some in the nonprofit arts industry to believe that it is their responsibility to provide to the public art that they think the public needs. This is usually based on little to no understanding of what those needs might actually be. In addition, when examined a bit, what they are really giving the public is the art that they want to give them. Anyone’s true need has little to do with it. There is a … [Read more...]
Doin’ What You Do
In Present What You Do I advocated for early engagement work to flow, where possible, from programming already planned and contextualized around the interests of communities. Serendipitously (there's a word I don't often get to use), at about the time that post was published, Gus Denhard from Early Music Seattle got in touch to tell me about a program they had done in December that does a good job of illustrating the point. (Long-time readers may … [Read more...]
Contextualize First
The tendency to imagine that community engagement demands all kinds of new work, new approaches, and new venues makes the consideration of engagement nearly impossible for some. Last week in Essential Gradualism I pointed out that undertaking no immediate steps is often the best approach. Earlier, in Keep It Simple I made the case that even when programming becomes a part of the engagement process it is best to "go simple." Engagement can often … [Read more...]
Should We Bother?
My post reflecting on the presidential election, Blindsided, drew a thoughtful comment that seems to me to be worthy of a fuller response than a simple “Reply.” Here is a link to the comments section. The gist of the comment was that there is little merit in engaging with people who will not leave their homes for what we have to offer. I certainly understand the sentiment and it is worth considering. However, there are a couple of rather serious … [Read more...]
Co-Creation in Dance
by Clara Pinsky, Program Coordinator; Krissie Marty, Associate Choreographer; Allison Orr, Artistic Director Forklift Danceworks This post is part of a series in conjunction with TRG Arts on developing relationships with both new communities and existing stakeholders through artistic programming, marketing and fundraising, community engagement and public policy. (Cross-post can be found at Analysis from TRG Arts.) The need to deepen … [Read more...]
From Arts Experience to Human Experience
by Barry C. Hughson This post is part of a series in conjunction with TRG Arts on developing relationships with both new communities and existing stakeholders through artistic programming, marketing and fundraising, community engagement and public policy. (Cross-post can be found at Analysis from TRG Arts.) A few months ago, I attended the dress rehearsal for “Dreamers Ever Leave You”. It was a transformational artistic and human … [Read more...]
Artistic Excellence and Mutual Self-Interests
by Seema Sueko This post is part of a series in conjunction with TRG Arts on developing relationships with both new communities and existing stakeholders through artistic programming, marketing and fundraising, community engagement and public policy. (Cross-post can be found at Analysis from TRG Arts.) I serve as a theater director, producer, writer, and, in the past, actor. My artistic collaborators and I vigorously pursue artistic excellence … [Read more...]
The Art of Relevance
I purchased my copy of Nina Simon’s The Art of Relevance on the first day it was available. I am only now posting comments about it because, frankly, I know more people are paying attention in September than are in July and August. Let me begin by saying that Ms. Simon is a gifted, compelling writer. She brings great passion and eloquence to bear on the need for far greater community awareness in the work of arts and cultural organizations. She … [Read more...]
Client, Customer, Collaborator: A Roadmap
by Amelia Northrup-Simpson This post is part of a series in conjunction with TRG Arts on developing relationships with both new communities and existing stakeholders through artistic programming, marketing and fundraising, community engagement, and public policy. (Cross-post can be found at Analysis from TRG Arts.) Do you treat arts patrons like customers, clients, or collaborators? In the first post in this series, Doug Borwick laid out … [Read more...]