Createquity's May 6 post Why Don't They Come? was a thoroughly researched piece on barriers to arts participation. It addressed the question of why: People with lower incomes and less education (low-SES) participate at lower rates [than others] in a huge range of activities, including not just classical music concerts and plays, but also less “elitist” forms of engagement like going to the movies, dancing socially, and even attending sporting … [Read more...]
“Community”
In April, Nina Simon furthered the conversation about the nature of community and the means of engagement. Her posts, How Do You Define "Community"? and Building Community: Who/How/Why? were invaluable additions to the field. As is often the case, I could be perfectly happy with providing those links and ending this post. However, I don't want to feel like a total slacker, so let me add a word or two regardless of whether or not there is a need … [Read more...]
Window Dressing?
I recently had a conversation with a colleague about how arts organizations can develop relationships with new communities. I went in to my pitch for first identifying potential "ambassadors" and then establishing advisory groups to carry some or, ideally, the bulk of the load. His response made my head spin. His initial comments, especially to the advisory board concept, were extremely negative. When I pressed him about that it became apparent … [Read more...]
Speak, Be Heard, Have Impact
I know I’ve already posted a couple of times on TCG’s Arts (R)Evolution Convening, but I’ve got to circle back and mention one more takeaway for me from the event. The speaker at the closing plenary was Ethan Zuckerman, author of the book Rewired and an expert in all things technological (at least from my perspective), particularly as they relate to the basics of citizen participation in a democracy. He provided a fascinating analysis of how … [Read more...]
Creative
I recently returned from participating in a Colorado Creative Industries gathering in Ft. Collins. There were three separate events presented (a fact which dawned on me only shortly before I got on the plane to attend)–a Change Leaders Conference, a Colorado Creative Districts convening, and CCI’s annual Summit–and I was part of all three. A significant insight for me was the use of the word “creative” in much of the work in Colorado. CCI is one … [Read more...]
Parsing “Engage”
The local arts agency in a small U.S. city is sponsoring a program to encourage community members to learn about and then volunteer to work with area arts organizations. An early public program functioned a bit like a speed dating mixer. It's an interesting idea and is valuable for those who would like to be more involved with the arts but don't know much about the various organizations or about the volunteer opportunities available. For … [Read more...]
Engage Now!
It has been some time since I first hinted that another book was coming out. And I am happy, nay ecstatic, to say, it's here. Engage Now! A Guide to Making the Arts Indispensable is now available in paperback. The ebook version will be out very soon. It's wonderful to have this completed. Two years in the making is a pretty long gestation period. Regular readers of Engaging Matters have seen a good deal of it in draft form in this location. I'm … [Read more...]
Can’t Buy Me Love
In my last post I ended part-way through a rant about the widely perceived incompatibility of a "fundraising board" with true commitment to community engagement or, more broadly, diversity in general. Without repeating that post, the principal concern was the assumption that money was the only or by far the most important resource that board members can bring to an organization. If that is the conscious or even unconscious view of the board, … [Read more...]
Give or Get
I was recently asked, yet again, how an organization can reconcile a fundraising board with the need for greater community representation. Rather than immediately entering "rant mode," I thought about it for a couple of days and realized that there was much more to rant about than I have acknowledged in the past. While this is not a question exclusive to the practice of community engagement, because nearly all arts organizations need to do major … [Read more...]
Overserved
Language is a fascinating thing. I just discussed the power of the phrase "historically white theatre." At nearly the same time I heard that phrase I read Barry Hessenius' blog post: Programs for the Underserved; Programs for the Overserved. In it, he said the following: If we recognize that there are Youth At Risk, Underserved Communities, Disadvantaged Populations, and Marginalized Groups, that is a tacit admission that our main program … [Read more...]