An occasionally expressed concern about community engagement is that current stakeholders will be driven away by imagined precipitous changes to the organization and/or its offerings. There are a couple of responses to this that should be comforting. First, community engagement should begin with the community that is your core constituents. Getting their feedback on plans and involving them in the process of making your organization indispensable … [Read more...]
When Free Is Insufficient
They won't even come when it's free! That lament from an arts administrator, with eyes rolled and hands thrown up, demonstrates a profound lack of connection with the subject of the exclamation. It is usually expressed in a "safe space" in an arts organization's office or conference room. I get the frustration but let's break it down a bit. First, nothing is ever really "free." At the least there is opportunity cost: what might someone be doing … [Read more...]
Engagement Is Not . . .
There are, of course, many things that community engagement is not. High on that list is "a magical elixir to cure all of the nonprofit arts industry's ills." At best it can position organizations for greater viability by significantly increasing donor and attendee reach. That comes to pass by being seen as valuable by much larger percentages of the population than is the case at the moment. Addressing more common and smaller issues, engagement … [Read more...]
Communities as Resources
Some time ago I happened to catch a segment on the PBS News Hour featuring the Harvard educated DJ Jace Clayton (who goes by the name DJ/rupture). He works by collecting music of all kinds from all over the world and creating fusions of many styles. He seeks out interesting and unusual music in villages, street corners, and back alleys. Any music is worthy of consideration. Dancing is, of course, an ultimate goal. By itself I found this … [Read more...]
Universality/Particularity
In keeping with the spirit of my just-concluded series on privilege I wanted to direct readers to a very good blog post by fellow ArtsJournal writer Alexander Laing. His Dear White Orchestras helps put some of the issues I addressed in a context specific to an arts form, in this case symphony orchestras. His introduction of the contrast between universality and particularity is especially important for those of us in the world of legacy arts … [Read more...]
Privilege/Encumbrance: Part III
This post is the last of a three-part series that is not strictly about community engagement. However, to engage with communities with which one is not familiar it is essential to understand the dynamics of privilege. This is especially true when the “engager” is as directly viewed as a representative of wealth and power as is the nonprofit arts establishment. (You may find the complete essay here: Privilege/Encumbrance.) Last week's post … [Read more...]
Privilege/Encumbrance: Part II
This post is the second of a three-part series that is not strictly about community engagement. However, to engage with communities with which one is not familiar it is essential to understand the dynamics of privilege. This is especially true when the “engager” is as directly viewed as a representative of wealth and power as is the nonprofit arts establishment. (When the series is completed, I will post the entire essay on my website.) Last … [Read more...]
Privilege/Encumbrance: Part I
This post is the beginning of a three-part series that is not strictly about community engagement. (When it is completed, I will post the entire essay on my website.) However, to engage with communities with which one is not familiar it is essential to understand the dynamics of privilege. This is especially true when the “engager” is as directly viewed as a representative of wealth and power as is the nonprofit arts … [Read more...]
Talk with Them
We have recently upgraded to a new used car from a very (very) old used car. Since this one is ten years younger than our last model, there are significant (and daunting) new bells and whistles. (Love the rear camera!) But one feature has kind of blown me away. The rear hatch will open (and then close) simply by kicking your foot under the bumper. This means that with loaded arms and/or kids in tow, you don't need to fumble for keys or an opener … [Read more...]
Cry of the Heart
Several months ago in its weekly newsletter, ArtsJournal.com, the host of this blog, posted an article about opera in Great Britain that had the following teaser title: Opera Is *Not* Too Posh And Exclusive, And If You Think It Is, It’s Your Own Damn Fault, Says Opera Boss. That title was, without a doubt, (successful) clickbait. As readers of Engaging Matters might expect, a title suggesting that those not interested in opera (or any other art … [Read more...]