In Excellence-To What End? I made the case that serving people–all of them, from artists to "the great unwashed"–was the purpose of seeking excellence. In the months since that post, I've reflected more on this issue, one that is central to our field and of vital importance to all of us in it, myself included. It is of such weight that many of our organizational mission statements include it as a central "reason for being." I still would like us … [Read more...]
Examining the “Mission Model”
Over the past five to ten years, much discussion has taken place about the need for revised business models for the arts industry. On the expense side this comes from recognition of the labor cost challenges faced by the performing arts and the capital cost struggles of edifice-centered organizations (museums and, again, some performing arts institutions). On the revenue side it comes from shifting trends in philanthropy and public policy and … [Read more...]
Diversity Definitions
The Arts and Science Council in Charlotte has been involved in some serious work to promote diversity, access, and inclusion. I attended a session at last June's Americans for the Arts conference in Pittsburgh in which Robert Bush, now Interim Director of the Council, described their efforts. In the twenty years from 1990-2010, the population of Charlotte rose from 500,000 to 1 million. In the same period, the city had the among the highest … [Read more...]
In the Vineyards of Diversity
In July, Barry Hessenius posted an Interview with Aaron Dworkin, on Barry's Blog. Mr. Dworkin is founder and President of the Sphinx Organization, "the leading national arts organization that focuses on youth development and diversity in classical music." I was aware of Sphinx's work in identifying and supporting young people of color who aspire to careers in the classical music world. The desire to make our orchestras (in particular) less … [Read more...]
Why We Do It
I love Chicago. I love jazz. I love jazz clubs in Chicago; and one of my favorites is Andy's, a place my wife and I discovered because it has a show that begins before my bedtime. (Being a jazz lover and not being a night owl creates some real challenges for me.) We were recently in the Windy City and had the pleasure of hearing saxophonist Jimmy Ellis's quartet. (Click here for an article about him.) Mr. Ellis is in his 80's and is a legend in … [Read more...]
Not “Or”, “And”, but . . . .
A recent Op-Ed piece by Peter Singer in the New York Times, “Good Charity, Bad Charity”, has been the subject of considerable discussion in the arts world. Singer's premise is that a way to make choices in charitable giving is to evaluate social return on investment. He specifically compares "health and safety" giving to "arts, culture and heritage" contributions and comes to the conclusion that the former yields greater benefits for society. … [Read more...]
Benefits of the Arts Follow-Up
A commenter on Benefits of the Arts asked a great question: observing the similarities between the Rand Corporation’s Gifts of the Muse intrinsic/instrumental categories, wasn't my core/ancillary division simply a re-naming? (And Ian David Moss's later comment was in a similar vein.) Here was my semi-immediate response: While the whole concept is still baking, I’d say no on two grounds. First, the rationale for the core/ancillary distinction is … [Read more...]
Listening to Serve
In AftA Thoughts (2013): II, I suggested a question that can aid the transition to a community-oriented approach to the work of the arts: "How can we help?" In the aftermath of the June's Americans for the Arts conference in Pittsburgh and the One State Together conference in Moline, another "way of thinking" phrase that has potential for guiding us toward greater relevance has been crystallizing in my mind. In my Mainstreaming Engagement … [Read more...]
Inspire, Delight, and Surprise
It has been a while since I have cribbed from Nina Simon here. The time is right. Her recent post, Hack the Museum Camp, Part 2, was a lot of fun, with much good food for thought about our curatorial and management processes. In it she describes an adult summer camp for museum professionals and artists in which teams devised exhibits for an exhibition of work from the Santa Cruz Museum of Art & History collection. There are good lessons there … [Read more...]
AftA (2013) Thoughts: II
In AftA Thoughts (2013) : I I began to debrief on my Americans for the Arts 2013 Conference experience. On the second day I had a moment of cognitive dissonance worth exploring. Two back-to-back sessions were inspiring. The Town Hall meeting featuring Bill Strickland of Manchester Bidwell Corporation highlighted wonderful work utilizing the arts to improve communities. A breakout session following gave examples of similar good things being done … [Read more...]