In the iconoclastic Judson Dance Theater of the 1960s, visual artists Robert Rauschenberg, Alex Hay, and Robert Morris were among the choreographers and performers. The negotiations among them and their dance-world colleagues were boundlessly fruitful to both. In 1968, Yvonne Rainer wrote an essay titled “A Quasi Survey of Some ‘Minimalist’ Tendencies in the Quantitatively Minimal Dance Activity … [Read more...]