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Speaking of Love

May 23, 2016 by Deborah Jowitt

Alexei Ratmansky introduces Plato to American Ballet Theatre in its Lincoln Center season. Serenade after Plato’s Symposium is the twelfth ballet that Alexei Ratmansky has choreographed for American Ballet Theatre in the past seven years; clearly he takes his position as the company’s artist in residence seriously. This beautiful new chamber ballet is subtly different from anything of his … [Read more...]

Keeping a Heritage Alive

May 16, 2015 by Deborah Jowitt

American Ballet Theatre opens its Lincoln Center season with one-act masterworks from its repertory. When watching the classics of 19th-century and early 20th-century ballet, it’s wise not to ask too many questions. When enjoying Michel Fokine’s 1909 Les Sylphides, for instance, you’re not supposed to wonder what this lone man is doing amid all these women in long, gauzy, white tutus, two … [Read more...]

From Ashes to True Love

June 17, 2014 by Deborah Jowitt

American Ballet Theatre mounts Frederick Ashton's Cinderella during its spring season. It’s rare that a dance review starts out with praise for a company’s artistic director, but I need to congratulate Kevin McKenzie. In the last two decades, “his” company, American Ballet Theatre, has commissioned two new ballets based on the tale of Cinderella. (McKenzie himself danced in Mikhail … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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