Dance celebrates the music of Thomas Adès at New York City Center. “His music moves from here to there in a way that is at heart choreographic.” Music critic and historian James M. Keller wrote those words in a program note for “Thomas Adès: Concentric Paths—Movements in Music,” the Sadler's Wells London’s production of four dances set to Adès scores, an event in Lincoln Center’s White … [Read more...]