Count Hermann Carl von Keyserlink, so the story goes, had trouble sleeping at night in 18th-century Leipzig. So the amiable Johann Sebastian Bach composed thirty variations for harpsichord that his precocious and gifted pupil, 14-year-old Johann Gottheim Goldberg, might play at night to relax the insomniac. It is hard to imagine Bach’s Goldberg Variations helping anyone to get some shut-eye; … [Read more...]
A Small Company with Big Ideas
The New York Theatre Ballet performs at New York Live Arts, March 1 through 4. Vaslav Nijinsky must have been charmed by ancient Greek vases when he choreographed his first ballet, L’Après-midi d’un faune, in 1912. Inspired by Stéphan Mallarmé’s poem of that name and Claude Debussy’s musical response to it (Prélude à l’après-midi d’un faune), he, however, depicted the nymphs and faun who … [Read more...]
Dancing Toward a Future
"New Dances: Edition 2016" showcases Juilliard Dance's four classes of students in new choreography. Every December, the Juilliard School presents its dance students in five public performances of works choreographed for them. Lawrence Rhodes, artistic director of the Juilliard Dance Division, commissions a piece for the members of each class in the school’s BFA program, from the freshmen … [Read more...]
Mysterious Beauty
Pam Tanowitz Dance kicks off "NY Quadrille," a two-week season masterminded by Lar Lubovitch. Over the years, dance has acquired a reputation for mysteriousness. This vexes many people, enchants others, and confuses others still more. After seeing Pam Tanowitz’s Sequenzas in Quadrilles at the Joyce Theater, I walked along the sidewalk a bit ahead of two women who were energetically … [Read more...]
Dance Builds Its Own Worlds
Pam Tanowitz Dance and the FLUX Quartet opens Bard SummerSpace 2105. The featured composer at Bard SummerScape 2015 is Carlos Chavez (1899-1979), and in July and August, the 26th annual Bard Music Festival will devote its performances and symposia to him and his contemporaries. On June 27, Summerscape opened at Bard College in Anandale-on-Hudson with a taste of his music. Choreographer Pam … [Read more...]
New Trails for Traditions
Pam Tanowitz makes her Joyce debut February 4-5 with two premieres. If Pam Tanowitz had been baptized into dance as an infant, Merce Cunningham and George Balanchine would surely have been standing on either side of the font, ready to serve as godfathers. Tanowitz’s choreographic works, like those shown on her recent program at the Joyce Theater, tell no stories. Nor do they seethe with … [Read more...]
The Attraction of Opposites
Pam Tanowitz's The Spectators at New York Live Arts, May 15 through 18; Bill Young and Colleen Thomas's A Place in France at 100 Grand Street, May 16 through 19. Pam Tanowitz’s new The Spectators at New York Live Arts is so clean you could eat off it. Pristine patterns control the six dancers she deploys, and no move they make is blurred or loose. One of Tanowitz’s talents is making cool … [Read more...]
Three Women, Three Styles
College basketball has nothing on the March Madness that seems to overtake the New York dance season just as spring is trying to inch in. I find myself momentarily mixing up dancers and works in my mind and trying to read notes scribbled on top of one another in a dense, black blob. Then there’s the pen that ran out of ink. . . . Three performances have been running around in my mind on … [Read more...]