The tall, robust, gray-haired man standing outside Jacob’s Pillow’s Ted Shawn Theater during intermission is explaining his reaction to Andrea Miller’s Boat to two attentive listeners. The members of her company, Gallim, he says, never stand still! He can’t get over that. It’s not entirely true, of course. The eight marvelous dancers who make up Gallim do pause in their dancing or stand and … [Read more...]
When the Last is not the Last
Batsheva Dance Company, live and on film, performs in New York. The Brooklyn Academy of Music’s Howard Gilman Opera House is packed —the orchestra, the first balcony, the second balcony, all. The curtain rises, and thousands of eyes converge on a single person moving through time, frozen in space. On top of a slightly raised platform that crosses the back of the stage, a woman is running on … [Read more...]
Shifting Fields of Images
Batsheva Dance Company celebrates its 50th anniversary. Fifty years ago in Israel, Baroness Bethsabée (aka Batsheva) de Rothschild (1914-1999) founded the Batsheva Dance Company. Enamored of dance, she had, during her years in New York, studied with Martha Graham and become a patron of her work. Choreography by Graham was initially a part of Batsheva’s repertory and the training of its … [Read more...]
Caution! Dancers Prowling
LeeSaar The Company brings its latest work to Jacob's Pillow, August 20 through 24 I have to believe that titles matter to Lee Scher and Saar Harari, the artistic directors of LeeSaar The Company. Their latest extraordinary piece of choreography is called Grass and Jackals. So I open my mind to tall grass that bends in the wind, lies flat under a hard rain, and can be a good hiding place. … [Read more...]
Living in a Green World
When Ohad Naharin left New York for Israel, his homeland, in 1990 and took over Batsheva Dance Company, he developed a distinctive movement style. In all his dances, the performers are muscular in unconventional ways. Watching them, I imagine elements of the inner apparatus that moves the human body trying to find new conduits into motion. Sometimes a dancer’s hip or a shoulder is impelled to … [Read more...]