The New York City Ballet's Fall Gala You can discover online a photo of Sarah Jessica Parker, swirling the yards of fuschia material in which designer Zac Posen had garbed her for the New York City Ballet’s Fashion Gala (she was one of six Gala chairpeople). The September 26th event— the eighth of its kind for NYCB— garnered 2.6 million dollars and occasioned the premieres of two new ballets: … [Read more...]
The New York City Ballet Enters a New Era
The New York City Ballet presents its annual Fall Gala The crowd attending the New York City Ballet’s Gala on September 27th was certainly elegantly dressed (sometime daringly so: two men eschewed tuxes and appeared in floral-print suits). During the pre-performance performance of sipping drinks and snagging hors d’oeuvres, you had to be alert to the possibility of stepping on filmy trains. … [Read more...]
New York City Ballet Celebrates Jerome Robbins
I lived with Jerome Robbins for six years. (Forgive the startling opener; he was dead at the time, but liked a joke). During those years, I read his diaries and his letters, talked with his family, friends, and those he worked with. Since recovering from writing a book about him and his choreography, I haven’t attended many performances of his ballets. Now the New York City Ballet, for which he … [Read more...]
The New York City Ballet Looks to Its Future
21st-century works in The New York City Ballet's Winter season (January 23-March 4) A subtle artistic schism exists for dancers in the New York City Ballet. None of them knew its co-founder Balanchine. They hadn’t taken his classes; they hadn’t watched him choreograph new ballets or lent him their bodies to use as inspiration and building blocks. If they experienced ballets by his later … [Read more...]
What Makes a Body Seem New?
The Guggenheim Museum's Works & Process series presents two works by Jodi Melnick on January 14th and 15th. I didn’t try to count the gestures in One of Sixty-Five Thousand Gestures, a 2012 collaboration between Trisha Brown and Jodi Melnick. Nor did I think about the “one” of the title while Melnick was dancing alone on the small stage of the Guggenheim Museum’s Peter B. Sharp Theater … [Read more...]
Leaves Fall, Dancers Rise
New York City Ballet presents its annual Fall Gala at Lincoln Center. “Practice makes perfect” may be a mantra for dancers and choreographers. It also describes how smoothly and fleetly the New York City Ballet’s 2017 Fall Gala—its sixth pairing choreographers with fashion designers—leapt onto and off the stage at Lincoln Center during the second week of the company’s season. Last year five … [Read more...]
New York City Ballet premieres a New Ratmansky Work
New York City Ballet’s 2017 Spring Gala is a testament to the acumen of the company’s supporters. Beautifully dressed people are provided with champagne in advance of the performance and dinner after it, but no speeches this time, no films, and no intermissions. And after those assembled have watched Peter Martins’ Jeu de Cartes, the pas de deux from Christopher Wheeldon’s After the Rain, and … [Read more...]
Dancers on the Rampage
New York City Ballet premieres new works by Justin Peck and Pontus Lidberg. When a dance really fascinates me, I wish either that I could immediately see it all over again or that I could be instantly at home, hugging it to myself and processing my memories. Justin Peck’s new The Times Are Racing for the New York City Ballet made me feel this way. It’s set to Dan Deacon’s vivid, changeable, … [Read more...]
They Could Have Danced All Night
New York City Ballet opens its fall season (September 20 to October 16) with four new ballets. The New York City Ballet’s gala performances are intriguing phenomena—so many gowns trailing hazardous trains during the pre-performance cocktail party on the second floor promenade, so many tiny, slightly slippery hors d’oeuvres, and at the same time such pride and good spirits among those … [Read more...]
Satin and Furs and Love of Dancing
New York City Ballet's Spring Gala celebrates with new ballets and a recent masterwork. Fundraising galas are strange beasts. The New York City Ballet’s May event was no exception. Women swan by in improbable gowns, assuming no one would dare to step on their trains; some display—intricately—enough skin to make you wonder how the garment is anchored. Festive roped-off tables and a … [Read more...]