John Jasperse presents a new work at BAM Harvey, September 21-24. John Jasperse’s new Remains has a clarity so exquisite that images from it have pasted themselves into my memory. The piece, which premiered at the BAM Harvey this past week, shows some of these images to us many times, but in different ways; imagine a painted group scene, from which someone has clipped individual figures and … [Read more...]
Stories Only Dance Can Tell
Juliette Mapp and Beth Gill present brave new works in New York. Once in a while you go to a dance performance and think you’re in a mysterious world, whose inhabitants are familiar to you. . .and yet. . .not. You think about them, ask yourself questions. Then you try to stop asking questions and just watch what they’re doing. That’s how I felt during two recent, deeply absorbing works: … [Read more...]
What Do We See and How Do We See It?
Danspace St. Mark's presents Moriah Evans's "Social Dance 9-12: Encounter." Leaving St. Mark’s Church after seeing Danspace Project’s presentation of Moriah Evans’s Social Dance 9-12: Encounter, I had a surprising thought about the experience: “This is so non-interesting that it’s interesting.” Then I spent the bus trip home wondering what I meant by that. Note that I didn’t think the … [Read more...]
Dance Builds Its Own Worlds
Pam Tanowitz Dance and the FLUX Quartet opens Bard SummerSpace 2105. The featured composer at Bard SummerScape 2015 is Carlos Chavez (1899-1979), and in July and August, the 26th annual Bard Music Festival will devote its performances and symposia to him and his contemporaries. On June 27, Summerscape opened at Bard College in Anandale-on-Hudson with a taste of his music. Choreographer Pam … [Read more...]
Blurring Thresholds
John Jasperse brings diverse sources and his own history into a bold new work at New York Live Arts, May 28 through 31. John Jasperse is not the kind of choreographer who draws a movement style out of his own body and sensibility and sticks with it. He reacts to ideas floating around in the culture, queries his own practice, tries something he hasn’t tried before. Often the movement he … [Read more...]
New Trails for Traditions
Pam Tanowitz makes her Joyce debut February 4-5 with two premieres. If Pam Tanowitz had been baptized into dance as an infant, Merce Cunningham and George Balanchine would surely have been standing on either side of the font, ready to serve as godfathers. Tanowitz’s choreographic works, like those shown on her recent program at the Joyce Theater, tell no stories. Nor do they seethe with … [Read more...]
The Attraction of Opposites
Pam Tanowitz's The Spectators at New York Live Arts, May 15 through 18; Bill Young and Colleen Thomas's A Place in France at 100 Grand Street, May 16 through 19. Pam Tanowitz’s new The Spectators at New York Live Arts is so clean you could eat off it. Pristine patterns control the six dancers she deploys, and no move they make is blurred or loose. One of Tanowitz’s talents is making cool … [Read more...]