When I watch a dance that I’ve also seen a few years earlier, I perceive it differently. Maybe I hear it differently too. Has it changed? Maybe. Have I changed? Of course. So has the world. I’ve viewed and written about all but one of the works dating from 2011, 2017, and 2018 that members of A.I.M (Abraham in Motion) performed this past week at Jacob’s Pillow. Some new dancers have taken on the … [Read more...]
The New York City Ballet Enters a New Era
The New York City Ballet presents its annual Fall Gala The crowd attending the New York City Ballet’s Gala on September 27th was certainly elegantly dressed (sometime daringly so: two men eschewed tuxes and appeared in floral-print suits). During the pre-performance performance of sipping drinks and snagging hors d’oeuvres, you had to be alert to the possibility of stepping on filmy trains. … [Read more...]
The Times Are Changing
Kyle Abraham's company, A.I.M., performs at the Joyce Theater. Kyle Abraham used to call his company Kyle Abraham/Abraham in Motion. Now it’s called A.I.M. Of course, if you want to visit the company’s website, you may find yourself at Associated International Management or Advanced Idea Mechanics, but I expect he knows that. The concise new name minimizes his position, as well as … [Read more...]
Home, Where the Heart Is
Kyle Abraham/Abraham.In.Motion at Jacob's Pillow, August 2 through 6 Kyle Abraham has always treated his own life and times as soil on which to build dances: his family, the Pittsburgh he grew up in, racism, gender bias, politics. Hip-hop introduced him to dancing; ballet, modern, and postmodern styles followed. Film and text clarified ideas. Yet his works have never seemed didactic—partly … [Read more...]
Serious Subjects, Powerful Dancing
Alvin Ailey American Dance Theater's Lincoln Center season (6/8-19) What’s going on here? I exit onto the Lincoln Center Plaza after watching “21st Century Voices” one of the five programs that make up the Alvin Ailey American Dance Theater’s season at the former New York State Theater. Although I’ve seen plenty of spiritual aspiration and yearning toward the light, I haven’t noticed many … [Read more...]
Dancing to Beat the Reaper
Kyle Abraham/Abraham.In.Motion brings three works to the Joyce Theater. Seated at a piano in a corner of the Joyce Theater, Kris Bowers begins to play a quiet, rippling tune—familiar yet unfamiliar. Beside the instrument and close to the front rows of spectators, Kyle Abraham performs a prelude to his company’s season, never moving outside a muted spotlight’s beam. Just as Bowers dreamily … [Read more...]
Dancing the Breaking Point
Kyle Abraham/Abraham.In.Motion premieres new works at New York Live Arts. You can’t really call Kyle Abraham’s rise to fame meteoric. He has been working persistently and imaginatively for around eight years. Yet few young choreographers have garnered as many awards, residencies, fellowships, and commissions as he has in the last five years. The works that Kyle Abraham/Abraham.In.Motion is … [Read more...]
Archived in the Blood
Kyle Abraham/Abraham.In.Motion presents Pavement at Jacob's Pillow, August 21-25 You walk down a street in Pittsburgh’s Hill District. No, you don’t walk, you saunter—loose-limbed; cocky; taking big, easy steps. You are a young black man, and this is a decades-old black neighborhood. Does your leisurely progress identify you as a power—a drug dealer, maybe? A gang leader? Or are you a … [Read more...]
Restless Creature
Wendy Whelan’s “Restless Creature,” duets choreographed by Kyle Abraham, Joshua Beamish, Brian Brooks, and Alejandro Cerrudo. At Jacob’s Pillow, August 14-17. Ballet dancers tend to have short careers onstage. If they retire at around 36 (as they often do), they’ve spent as many years training to dance as they have performing. Some stay in the field as teachers, choreographers, and company … [Read more...]
Getting Down With Ailey
Imagine a night at City Center watching the Alvin Ailey American Dance Theater when the spectators cheer at the curtain calls and applaud certain stunning dancers or sections of a dance, but don’t whoop and holler in the middle of a serious (even reverent) passage. Imagine an evening in which electric high jumps, long balances, and legs kicking the sky are worked into the choreographic fabric and … [Read more...]