When Ohad Naharin left New York for Israel, his homeland, in 1990 and took over Batsheva Dance Company, he developed a distinctive movement style. In all his dances, the performers are muscular in unconventional ways. Watching them, I imagine elements of the inner apparatus that moves the human body trying to find new conduits into motion. Sometimes a dancer’s hip or a shoulder is impelled to … [Read more...]
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