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Celebrating a 40-Year Career

April 9, 2018 by Deborah Jowitt

Jane Comfort & Company Revisit Forty Years of Work In 1978, Jane Comfort and I were both forty years younger. Not a surprise? I guess not. But that sentence may prove a snappier lead than my starting off by recounting what Comfort has accomplished over those forty years and how many dances of hers I’ve seen. (See how I snuck the facts into my non-lead? Or should I spell it “lede” as did … [Read more...]

Making Things Together

February 25, 2018 by Deborah Jowitt

The Bebe Miller Company and Susan Rethorst share their processes and a program at New York Live Arts. The Making Room isn’t a dance, it’s a project devised by Bebe Miller that she and fellow choreographer Susan Rethorst have been working on for over a year via conversations both virtual and actual, plus convenings and rehearsals with their collaborating dancers wherever they could find … [Read more...]

Four Dances Mingle As One

December 12, 2016 by Deborah Jowitt

Bill Young revives his Interleaving at 100 Grand Street, December 9 through 11. I was beginning to write about Bill Young’s revival of his Interleaving after he'd given it a 30-year vacation, when my planned opening struck a chord. Yes, there it was, the start of my 2013 review of A Place in France (a collaboration between Young and his wife, Colleen Thomas): me at 100 Grand Street, … [Read more...]

You Are Not Alone

June 21, 2016 by Deborah Jowitt

Jane Comfort and Company premieres You Are Here at The Kitchen Jane Comfort has a formidable history as one who attacks with an intellectual cleaver subjects that most choreographers avoid: government policies, sanctioned torture, public apathy, gender stereotypes, beauty contests, talent shows. She deconstructed Shakespeare (Cliff Notes Macbeth, 1980) and Tennessee Williams (Faith Healing, … [Read more...]

Moves at LaMaMa

June 3, 2015 by Deborah Jowitt

Jane Comfort and Company and Jon Kinzel present new works. Jane Comfort is a master teller of tales—not straight linear narratives, but dances that bristle with content—often social and/or political, often involving spoken text. She has always ingeniously layered and juxtaposed elements and viewpoints that might strike anyone else as incompatible and made them ignite one another. Her 1988 … [Read more...]

Deborah Jowitt

Deborah Jowitt began to dance professionally in 1953, to choreograph in 1961, and to write about dancing in 1967. Read More…

DanceBeat

This blog acknowledges my appetite for devouring dancing and spitting out responses to it. Criticism that I love to read—and have been struggling to write ever since the late 1960s—probes deeply and imaginatively into choreography and dancing, … [Read More...]

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