Art Bridgman and Myrna Packer present the New York premieres of two works. One source of theater’s magic lies in the interplay between what’s real and what’s not. An actor who is not actually the “Tom” of the play bids his wife “Susan” goodbye and walks out the door. It looks like a real door, but there’s no street out there, only dressing rooms and backstage equipment. We accept that a … [Read more...]