Kate Weare Company and Liz Gerring Dance Company present New York seasons. It’s rare to see, on two adjoining nights, two hour-long dances by two gifted, highly original choreographers who were born and raised in California (a native Californian myself, I couldn’t resist throwing in that last commonality). The distinctive styles that Kate Weare and Liz Gerring have developed are nothing … [Read more...]
Re-envisioning Shreds of Memory
John Jasperse presents a new work at BAM Harvey, September 21-24. John Jasperse’s new Remains has a clarity so exquisite that images from it have pasted themselves into my memory. The piece, which premiered at the BAM Harvey this past week, shows some of these images to us many times, but in different ways; imagine a painted group scene, from which someone has clipped individual figures and … [Read more...]
Styles and People Meet and Merge
For a number of years, Cherylyn Lavagnino has been working to bring together in her choreography elements that interest her deeply: the classical vocabulary that she excelled in during her days as a member of the Pennsylvania Ballet and that she teaches at NYU-Tisch School of the Arts; the modern dance that she also trained in and performed; and her feelings about society and political unrest. … [Read more...]
Ice Floes Meet and Part
The Liz Gerring Dance Company brings her Glacier to the Joyce Theater. Liz Gerring graciously titles her Glacier after the piece of music by Michael J. Schumacher to which it’s set. His score for guitar, piano, harp, cello, clarinet also contains recordings he made near Glacier Lake in Colorado, and it is these sounds that are prominent during the beginning of the dance: a rattle of little … [Read more...]