At the very end of Pat Catterson’s gentle, beautifully crafted new dance, To Lie in the Sky, a voice recites the plangent opening lines of May Swenson’s “The Question”— “Body my house/ my horse my hound/ what will I do when you are fallen.” Catterson took her title from that poem’s penultimate query: “How will it be/ to lie in the sky/ without roof or door/ and wind for an eye.” These are not … [Read more...]
Take Them Disappearing
What are we seeing? We’re seeing a woman kneel beside a large potted tree, and root around in its soil; she is nicely dressed in black pants, a ruched white top held up by tiny black straps, and high-heeled, little brown boots. That was an easy question. But, wait. How are we seeing it and through how many possible layers of meaning? (Is she cultivating the soil a bit, hunting for something—maybe … [Read more...]
Keely Garfield Enters the Forest; She Is Not Alone
A number of the people rising from their seats and milling around Danspace St. Mark’s after Keely Garfield’s Twin Pines exchange grins and nods and fond remarks along the lines of “That’s Keely for you!” The word “quirky” is heard. Watching a piece by Garfield can be like entering someone’s disheveled home at a bad time and wondering, “What’s been going on here?” Or like entering Garfield’s … [Read more...]
Three Women Dancing
Just when you’re blinking into 2012, The Association of Performing Arts Presenters (APAP) schedules a conference in New York, and zillion of companies showcase their work. This year, from January 5 to 9 and beyond, every dance venue in the city hosts performances ranging from whole dances to excerpts. The hoped-for audiences? That would be the presenters. But friends, fans, critics, and the … [Read more...]
In the Garden
The verdant place that gives Kate Weare’s disastrously beautiful Garden (2011) its name is no Eden. The weeds and brambles that sprout in human relationships flourish here, not quite crowding out the sudden, valiant blooms. Kurt Perschke’s set suggests that something is awry. The stage of the Joyce Theater—where Gotham Arts presented its FOCUS DANCE series of shared programs from January 3 through … [Read more...]
At the Threshold of the Closet
One of the most intriguing things about Tere O’Connor’s Cover Boy is its overall rhythmic structure. During the hour it takes the piece to unfold, the movements of the four performers (Michael Ingle, Niall Jones, Paul Monaghan, and Matthew Rogers) set up subtle interplays between asserting and backing off, between attacking and melting. This dynamic formalizes and expresses the implications … [Read more...]
Goodbye to the Green
Since Laura Peterson began to show her choreography in New York around six years ago, she has become increasingly interested in transforming theater spaces through lighting, audience placement, and movement ideas. I’m thinking in particular of her 2007 I Love Dan Flavin, which I saw in the funky, cramped intimacy of the old Dixon Place, and Forever (2009), which utilized the columns and mirrored … [Read more...]
Crossing the Line
The photo above is of Heather Kravas, but not Heather Kravas as she appears in her Kassidy Chism. That Kravas wears a little black dress and reddish pink high-top sneakers. Her lipstick is red and so are her fingernails, but she walks with small steps like a well-behaved little girl. Start trembling now. Kravas shared the program at Danspace Saint Mark’s—October 6 through 8—with Jeremy Wade, … [Read more...]
“But if the cause be not good. . .”
When David Gordon first presented his Dancing Henry Five in 2004, his reasons for choosing that particular Shakespeare play on which to wreak inspired havoc were obvious. In both England’s invasion of France in 1415 and the United States’ 2003 invasion of Iraq, the justification was flawed, and the evidence supporting it flimsy. Also, just as Prince Hal, a rowdy pub crawler, reformed with a … [Read more...]
How Do You Define “Object”?
Some choreographers devote a lot of creative energy to finding a great new way to lift a leg (or a partner), or maybe split unison into counterpoint. Wally Cardona and Jennifer Lacey? Not so much. Undertaking alone—he in New York, she in Paris — the research that led to their joint project, Tool Is Loot (at the Kitchen September 22 through 24 and September 29 through October 1), they sought … [Read more...]