Camille A. Brown & Dancers premieres Black Girl: Linguistic Play at the Joyce Theater. How fast their feet are! Skittering, stepping, bouncing up and down, kicking out those feet, six women dance as if the ground itself is both untrustworthy territory and something that needs mastering. Camille A. Brown calls her new, evening-long work Black Girl: Linguistic Play. She and her colleagues … [Read more...]
Growth, Death, Rebirth
Cloud Gate Dance Theatre of Taiwan comes to the Brooklyn Academy of Music with Lin Hwai-min's "Rice." When Lin Hwai-min brought his Cloud Gate Dance Theatre from Taipei to the Brooklyn Academy of Music’s Next Wave Festival in 2000, one performer stood in a near corner of the stage all through Songs of the Wanderers while gold-dyed rice streamed down on his head and pooled around him. That … [Read more...]
Images within Images within Images
Wayne McGregor's "Tree of Codes" turns the Park Avenue Armory into a 21st-century phantasmagoric playground. Why when I meditate on Tree of Codes, the dance-and-design spectacle on view at the Park Avenue Armory, do I flash back almost 150 years to the spectacle-extravaganza, The Black Crook? The two productions have in common little but their desire to astonish. The Black Crook opened in … [Read more...]
Messages from Above
Summation Dance celebrates its fifth anniversary at BAM Fisher. Perhaps someone some day will write an essay about dance titles, how they vary —encapsulating a theme, for instance, or borrowing from literature, or throwing spectators off the track with a word or phrase that has a secret meaning for the choreographer. Summation Dance titled its latest work At the Hour. What strikes you … [Read more...]
Dance Builds Its Own Worlds
Pam Tanowitz Dance and the FLUX Quartet opens Bard SummerSpace 2105. The featured composer at Bard SummerScape 2015 is Carlos Chavez (1899-1979), and in July and August, the 26th annual Bard Music Festival will devote its performances and symposia to him and his contemporaries. On June 27, Summerscape opened at Bard College in Anandale-on-Hudson with a taste of his music. Choreographer Pam … [Read more...]
Come Spring!
The Mark Morris Dance Group performs at BAM. Was it George Balanchine who said he wanted us to see the music and hear the dancing when we were watching his ballets? Maybe he said only the first part of that. Mark Morris, I think, hopes for something similar when we see his choreography—not meaning that we should hear feet hit the floor, but that the dancers carry the music in their bodies, … [Read more...]
Running Backward, Looking Ahead
The Stephen Petronio Company performs a new Petronio work at the Joyce and remounts Merce Cunningham's "RainForest." Decades ago, when Twyla Tharp was a feisty young choreographer, she said that maintaining and presenting dances from her repertory was just not something she wanted to do. It would be like chewing gum, she said, and who wanted to keep on chewing it after the initial flavor … [Read more...]
The Merce Resurrection
Compagnie CNDC d'Angers stages a Merce Cunningham Event in New York City. When Merce Cunningham decided that his company should be disbanded two years after his death, it wasn’t entirely clear what he expected to happen to the nearly 200 dances that he had made over the course of five decades. Some, of course, had been lost along the way, but a good number had been filmed, and more were … [Read more...]
Moving Toward the Light
Ronald K.Brown celebrates at the Joyce Theater the 30th anniversary of his Evidence: A Dance Company. Sometimes I think of choreographer Ronald K. Brown, the artistic director of Evidence: A Dance Company, as akin to a spiritually inspired basket maker, weaving beautiful strands of dancing together with time-honed skill. These strands mesh in patterns formed by eight passionate, spirited … [Read more...]
Nothing To Be Ashamed Of
Douglas Dunn + Dancers premiere Aidos at BAM Fisher. Aidos seems to have been a goddess slightly confused about her own identity. No wonder she is said to be the last of the Greek gods to leave earth after the Golden Age. The Random House Dictionary of the English Language calls her “the personification of conscience,” but she is also seen as representing shame and modesty. I see a … [Read more...]