American Ballet Theatre revives its production of Frederick Ashton's La Fille mal gardée. If I had been able to write about American Ballet Theatre’s production of Frederick Ashton’s La Fille Mal Gardée before the company’s performances of it ended on May 30, I would have said, “if you’re having a bad day, go see this ballet.” So fragrant, so tender is its depiction of love, innocence, … [Read more...]
Speaking of Love
Alexei Ratmansky introduces Plato to American Ballet Theatre in its Lincoln Center season. Serenade after Plato’s Symposium is the twelfth ballet that Alexei Ratmansky has choreographed for American Ballet Theatre in the past seven years; clearly he takes his position as the company’s artist in residence seriously. This beautiful new chamber ballet is subtly different from anything of his … [Read more...]
The Sleeping Beauty Wakes in a Brave New World
Katy Pyle's Ballez performs Sleeping Beauty and the Beast in the La MaMa Moves Festival. This is, I promise, the last time I will blame acute jet lag for my sense of disembodiment and lapses in understanding. It kicks in the moment I go to the La MaMa box office, and there seem to be no tickets in my name for Katy Pyle’s Sleeping Beauty and the Beast. Once in the theater, I don’t read the … [Read more...]
Satin and Furs and Love of Dancing
New York City Ballet's Spring Gala celebrates with new ballets and a recent masterwork. Fundraising galas are strange beasts. The New York City Ballet’s May event was no exception. Women swan by in improbable gowns, assuming no one would dare to step on their trains; some display—intricately—enough skin to make you wonder how the garment is anchored. Festive roped-off tables and a … [Read more...]
Bracing Winds from Miami
Miami City Ballet bursts into Lincoln Center. Ten years ago this summer, Miami City Ballet performed at Jacob’s Pillow. This is what I wrote in the Village Voice: “Miami City Ballet’s dancers tear into Balanchine’s works with such appetite for speed and scale that you wonder how they stay in control. Their legacy is clear. They came to Balanchine through Miami’s artistic director Edward … [Read more...]
BalletBoyz® and Pacific Northwest Ballet
A company from London and one from Seattle visit NYC. History often appears less as a straight line than a looping, occasionally tangling collection of threads. Before Michael Nunn and William Trevitt founded Ballet Boyz in 2000, they were principal dancers with Britain’s Royal Ballet. That’s also the year that Christopher Wheeldon, formerly in that company, stopped dancing in the New York … [Read more...]
Dancing a Fairytale, Its Joys and Tribulations
The New York City Ballet premieres Justin Peck's new ballet and offers works by Thatcher, Binet, Schumacher, and Wheeldon. George Balanchine was reared on story ballets and gradually weaned himself into abstraction, but he never forgot how to tell a good yarn. The New York City Ballet’s vastly gifted young resident choreographer, Justin Peck, was reared on Balanchine and suddenly—without … [Read more...]
Perspectives on Classicism
American Ballet Theatre opens it Lincoln Center season with ballets by Morris, Ashton, and Tharp Ask a choreographer bred in modern dance to create a ballet for an esteemed classical company, and what ensues? If the choreographer in question is Mark Morris or Twyla Tharp, the resultant work often both honors tradition and knocks it around a little. This seemed true at American Ballet … [Read more...]
They Could Have Danced All Night
New York City Ballet presents its 2015 fall gala, "From the Runway to the Stage." For the fourth year in a row, the New York City Ballet has devoted its fall gala to fashion, a custom started by the vice-chairman of the NYCB board, Sarah Jessica Parker. Pairing celebrated couturiers with choreographers is a scheme that lures audiences with money to spend, as well as gowns to wear to the … [Read more...]
From Florida with Skill and Devotion
The Sarasota Ballet brings Ashton classics and 21st-century ballets to Jacob's Pillow. With art and culture kiting around in cyberspace and responding instantly to our keyboard-trained fingers, we are constantly jumping over boundaries. Crossing them in real time with tangible objects is another matter. Who would have imagined that The Sarasota Ballet would become a treasure house of over … [Read more...]