New York Theatre Ballet's Legends and Visionaries series at Danspace Project at St. Mark's Church. The cover photo for New York Theatre Ballet’s season at Danspace Saint Mark’s does not show any of the company’s fine performers. Instead it bears a photo of artistic director Diana Byer and David Vaughan, the dance historian, critic, lecturer, and performer widely known as the author of … [Read more...]
The Red Shoes Redux
Matthew Bourne/New Adventures brings the 1948 movie, The Red Shoes, to the stage. In 1953-54, when Britain’s Sadlers Wells Ballet had not yet become the Royal Ballet, and the company was performing in New York’s old Metropolitan Opera House in the West 30s, ballet lovers formed lines for standing-room tickets early in the morning. The excitement had, in part, been kindled by Michael Powell … [Read more...]
The Unslaked Fires of Love
The White Light Festival presents Layla and Majnun, directed and choreographed by Mark Morris. How many poets have compared love to a flame and passion to a consuming fire— love that can obsess you, drive you mad? In the ancient tale of Layla and Majnun, the hero was born with another name; “majnun” labels him as one losing his mind over love for Layla, and, ironically it is that madness … [Read more...]
Tea for Three? Take a Seat
Simone Forti, Steve Paxton, and Yvonne Rainer get together at Saint Mark's Church. “It is better to have loved and lost than to have put linoleum on your living room floor.” Yvonne Rainer read that aloud during her 2016 The Concept of Dust: Continuous Project— Altered Annually. And she read it again from one of the sheets of paper taped to the pillars in Saint Mark’s Church during Danspace … [Read more...]
American Ballet Theatre Throws a Party
ABT presents new and recent ballets at Lincoln Center through October 29th. As diverse and original as Alexei Ratmansky’s ballets are, it’s tempting to probe for artistic sources that may have nourished them. His Russian roots include his experiences as a dancer in the Kirov Ballet and as the Bolshoi Ballet’s artistic director. His years as a member of the Royal Danish Ballet count too. Few … [Read more...]
Dark Matters from Finland
Tero Saarinen Company performs at the Joyce Theater. Who are these men? I can tell you their names: Ima Iduozee, Leo Kirjonen, Mikko Lampinen, Jarkko Lehmus, David Scarantino, Eero Vesterinen, Heikki Vienola (have you guessed that almost all of them are Finnish?). However, seeing them onstage at the Joyce Theater in Morphed (2014) by the fascinating choreographer Tero Saarinen, you would … [Read more...]
Life in a Whirlwind
The Bill T. Jones/Arnie Zane Company presents a new work. In October, almost a year ago, I wrote about one of two pieces that the Bill T. Jones/Arnie Zane Company premiered at the Joyce Theater. Lance: Pretty AKA The Escape Artist told through movement, speech, music, movable set pieces, and props the story of Lance T. Briggs, a nephew of Bill T. Jones, who began as a promising ballet … [Read more...]
Leaves Fall, Dancers Rise
New York City Ballet presents its annual Fall Gala at Lincoln Center. “Practice makes perfect” may be a mantra for dancers and choreographers. It also describes how smoothly and fleetly the New York City Ballet’s 2017 Fall Gala—its sixth pairing choreographers with fashion designers—leapt onto and off the stage at Lincoln Center during the second week of the company’s season. Last year five … [Read more...]
From Belgium, A Love Supreme
A Love Supreme by Salva Sanchis, Anne Teresa De Keersmaeker/ Rosas comes to the U.S. Overtures are rare at New York Live Arts. You get your ticket, visit the restroom, maybe buy a drink. The creators of A Love Supreme, Salva Sanchis and Anne Teresa De Keersmaeker, warm us up in a more intimate way for what is to follow. A half hour before the performance is due to start, saxophonist Tony … [Read more...]
Deciphering Codes, Or Not
Sarah Michelson premieres a new work at Bard College's Richard B. Fisher Center. If a friend tells me he or she is going to see a particular choreographer’s new work, I nod my head; I have a vague idea of what it’ll be like. But suppose the choreographer named is Sarah Michelson. That’s a whole other story. I’ve walked into downtown New York theaters such as The Kitchen and P.S. 122 to see … [Read more...]