DD Dorvillier draws fragments from past works, strips them down, and re-situates them. On the wooden floor of St. Mark’s Church close to the 10th Street end of the space, a man and a woman sit close together, facing each other (right leg bent in front, left leg bent behind), They’re both wearing plain gray tee-shirts and shorts. It’s noon on the first Wednesday of DD Dorvillier’s reframed … [Read more...]
Balanchine and Massine at American Ballet Theatre
ABT's spring season at the Met offers two Balanchine ballets and one by Massine. In November, 1947, just before a small, stylish company named Ballet Society became the New York City Ballet, its balletmaster, George Balanchine, bestowed a gift on another New York-based company, Ballet Theatre. Theme and Variations, set to the “Theme and Variations” movement from Tchaikovsky’s Suite No. 3 … [Read more...]
Where Do You Plan To Travel?
Yoshiko Chuma and Rebecca Lazier share a program at LaMama. Yoshiko Chuma’s program note for her π=3.14…HOW TO DELIVER AN AFGHAN HAT Endless Peripheral Border Cont… (part of the 2014 LaMama Moves Festival) begins with these words; ‘War is like a sick child. You either keep doing your job or not.” She should know. Growing up in Japan after World War II in a culture still shuddering its … [Read more...]
Back in ’64, Movin’ On
The New York City Ballet honors its theater with a gala and a premiere. On April 24, 1964, I wasn’t sitting in one of the red plush seats shown above, cheering New York City Ballet’s inaugural performance in Lincoln Center’s recently completed New York State Theater. However, occupying a seat in that same theater on May 8, 2014, when the company celebrated its 50th anniversary in the … [Read more...]
Walk, Do Not Dance!
The Lyon Opera Ballet brings Christian Rizzo's ni fleurs, ni ford-mustang to BAM. The stage lights are dimming slowly— so slowly that we spectators can barely pin down the moment when we can no longer see the clump of seven dancers, covered head to toe in gleaming black outfits, wriggling and jouncing around. Nor can we be sure when the lights are truly out. There’s a nervous pause before … [Read more...]
The New in the Old, The Old in the New
The Limon Dance Company performs at the Joyce; Miki Orihara debuts a solo program. It was several days after I saw the Limón Dance Company at the Joyce Theater that I suddenly discerned subtle connections among the four works on the program that artistic director Carla Maxwell put together for the company’s 68th anniversary—two by company founder José Limón (1908-1972) and two new works, … [Read more...]
À LA FRANÇAIS AND THEN SOME
DANSE: A French-American Festival of Performance and Ideas opens with a work by Alain Buffard. The French in America! I do not speak of the emigrating 17th-century Huguenots, or of Alexis de Tocqueville, who journeyed around the U.S. in the 19th-century and said wise things about it. Je ne parle pas de croissants, ni de boeuf bourgignon. Dior? Pouf! Bidets? They never caught on. No, I … [Read more...]
Writing on Air
Shen Wei Dance Arts presents Map at Judson Church, April 29 through May 4 In Judson Church’s open, lofty space, Shen Wei’s restaging of his 2005 Map looks and feels far more three-dimensional than the version that premiered at Lincoln Center on a proscenium stage. The Judson spectators sit on four sides of the large arena, some of them on the small, high stage made to hold the altar. The … [Read more...]
Adrift in Fashionable Fairyland
Ballet Preljocaj brings the French company's Snow White to New York. Fog swirls around a dark stage. Crashes and eerie echoes accompany it. A hand rises from a cloud bank, and figure swathed in dark garments appears and begins to walk with difficulty across the stage. It’s hard to make this person out. Ah! A crown. Royal, then. A glimpse of a bare thigh and high heels. Right. A queen. And … [Read more...]
Small-Frame Vignettes
Vicky Shick and colleagues premiere a new work. The second week of April, 2014, both the Trisha Brown Dance Company and the Stephen Petronio Company performed in New York. The following week, and further uptown, Vicky Shick premiered her Pathétique/Miniatures in Detail. An enlivening coincidence. Shick, like Petronio, performed in Brown’s company for a number of years—in her case from … [Read more...]