Pacific Northewest Ballet performs works by Wheeldon, Cerrudo, and Peck in New York. There are forty-three dancers in Seattle’s Pacific Northwest Ballet. Unless I’ve miscounted, only nineteen appeared in the company’s season at the Joyce Theater, and the most people to appear in any of the three ballets shown was a dozen. Artistic director Peter Boal’s choice of works to bring to New York … [Read more...]
Everybody, Fall for Dance!
The Fall for Dance Festival returns to New York's City Center Theater, October 8-19. It’s time to Fall for Dance again. The so-named City Center Festival now in its eleventh year continues its admirable message to expose New Yorkers and visitors to a wide range of dance companies via adroitly mixed bills. For $15 a ticket, spectators can explore territory that’s new to them. You’re a fan … [Read more...]
Choreographers Get Their Feet Wet
The Soaking Wet Festival at New York's West End Theater, October 2-5. Bored house guests. What does that mean to you? Unearthing the jigsaw puzzle because it’s raining and you can’t take them to the beach? The duet Bored House Guests, dreamed up and performed by Sara Hook and Paul Matteson as part of the Soaking Wet Festival, blasts open any of the usual images. Is the “house” in fact a … [Read more...]
Dancing the Breaking Point
Kyle Abraham/Abraham.In.Motion premieres new works at New York Live Arts. You can’t really call Kyle Abraham’s rise to fame meteoric. He has been working persistently and imaginatively for around eight years. Yet few young choreographers have garnered as many awards, residencies, fellowships, and commissions as he has in the last five years. The works that Kyle Abraham/Abraham.In.Motion is … [Read more...]
Two by Two by Two
Three New Ballets premiere at the New York City Ballet's Gala on September 23, 2014 Fashions change more rapidly than dance styles do, so for the New York City Ballet to structure its Fall gala around the theme of “what’s new?” makes a certain marketing sense. The aura of novelty cloaks all. And the green leaves bedecking the balcony overlooking the Lincoln Center Plaza suggested springtime … [Read more...]
A Cat Can Look at a Queen
The National Ballet of Canada brings Christopher Wheeldon's Alice's Adventures in Wonderland to Lincoln Center. “What did you like best, dear?” Were I a child who’d been taken to see the National Ballet of Canada perform Christopher Wheeldon’s Alice’s Adventures in Wonderland at Lincoln Center, I know what I’d answer: “the Cheshire Cat.” The CC is not just a huge, grinning, tiger-striped … [Read more...]
Caution! Dancers Prowling
LeeSaar The Company brings its latest work to Jacob's Pillow, August 20 through 24 I have to believe that titles matter to Lee Scher and Saar Harari, the artistic directors of LeeSaar The Company. Their latest extraordinary piece of choreography is called Grass and Jackals. So I open my mind to tall grass that bends in the wind, lies flat under a hard rain, and can be a good hiding place. … [Read more...]
Comedy and Tragedy Dance a Duet
doug elkins choreography, etc. performs a new work and an old one at Jacob's Pillow. So what if you’re a nerd, and the woman you crave is a lot taller than you? Watch her and her bunch of friends; maybe you can pick up a few things that will make them accept you. Perhaps playing the clown will work? Mark Gindick really is a clown (as well as an actor and a dancer), and the clique that he … [Read more...]
A Playwright and a Composer Meet in a Forest
Christopher Caines directs and choreographs Purcell's Fairy Queen for the Dell'Arte Opera Ensemble. If I had looked carefully at the program for The Fairy Queen before the Dell’Arte Opera Ensemble’s ambitious conflation of Henry Purcell’s opera and Shakespeare’s A Midsummer Night’s Dream had begun, I might have been tempted to make a run for it. Here, for example, are the roles that actor … [Read more...]
A Fountain of Music and Love
Mark Morris directs and choreographs Handel's Acis and Galatea for Lincoln Center's Mostly Mozart Festival. It is beguiling to imagine George Frideric Handel’s pastoral opera Acis and Galatea receiving its first performance at the Duke of Chandos’s mansion on the terrace overlooking the gardens and their newly installed fountain. If the part about the terrace were true, guests at this 1718 … [Read more...]