I have never been in Philip Johnson’s immense second-floor lobby in the New York State Theater when it was empty of audience members. I’m not familiar with the grids marked on its floor. Before the pandemic, it was a place where friends and colleagues chatted, compared notes, and maybe bought drinks during intermissions of the New York City Ballet’s performances. (I usually remembered not to leave … [Read more...]
Deborah Jowitt on bodies in motion
