American Ballet Theatre premieres Alexei Ratmansky's remounting of Harlequinade. It’s almost two o’clock on a Wednesday afternoon, and I’m casing the audience that’s gradually filling the Metropolitan Opera House, where American Ballet Theatre is holding its spring season. Most of us, I’d guess, are either over 65 or under 12. More of us appear to be female than male. And, as Alexei … [Read more...]
Archives for 2018
The Times Are Changing
Kyle Abraham's company, A.I.M., performs at the Joyce Theater. Kyle Abraham used to call his company Kyle Abraham/Abraham in Motion. Now it’s called A.I.M. Of course, if you want to visit the company’s website, you may find yourself at Associated International Management or Advanced Idea Mechanics, but I expect he knows that. The concise new name minimizes his position, as well as … [Read more...]
Building Community, Skin Against Skin
Meg Stuart/Damaged Goods, working in both Brussels and Berlin, visits NYU Skirball The first time I try to access the website of Meg Stuart/Damaged Goods (based in both Brussels and Berlin), the screen says only “try to explode;” when I enter it again later, it tells me, “you have to embrace accident.” I think I’ll try the second now and save the first until later. Seeing Stuart’s 2015 … [Read more...]
New York City Ballet Celebrates Jerome Robbins
I lived with Jerome Robbins for six years. (Forgive the startling opener; he was dead at the time, but liked a joke). During those years, I read his diaries and his letters, talked with his family, friends, and those he worked with. Since recovering from writing a book about him and his choreography, I haven’t attended many performances of his ballets. Now the New York City Ballet, for which he … [Read more...]
How Many People in a One-Woman Show?
I love going to shows at Joe’s Pub for Dance Now’s Dance-mopolitan’s Commissioned Artist Series. But doing so takes a kind of expertise that I may lack. Did I manage to cut the sticky burrata that topped my little salad while keeping clean the blank paper on which I intended to take notes? Check. Did I really order a second beer? Yes, I did. Did I actually take some notes on top of previous notes … [Read more...]
From Cuba with Fervor and Vigor
Some of us may remember Carlos Acosta, when he was appearing with England’s Royal Ballet or, more briefly, as a guest artist with American Ballet Theatre. Princely. Virtuosic. He performed with other major companies as well. But he returned to Cuba, the country where he was born and nurtured. There he established the Carlos Acosta International Dance Foundation and, in 2015, his own company, … [Read more...]
Breasting the Wave
The Lar Lubovitch Dance Company Celebrates its 50th Anniversary Season Once upon a time, most modern dance choreographers created companies named after them and starred in their own works. In 1958, Alvin Ailey was an exception. The José Limón Company and the Martha Graham Dance Company became repertory companies after the death of their founder. In recent years, Paul Taylor and later … [Read more...]
Martha Graham: Sacred and Profane
The Martha Graham Dance Company at New York City Center, April 11 through 14 I assume that Isamu Noguchi heard at least some of Carlos Surinach’s sly, scorching music for Martha Graham’s Embattled Garden in rehearsal before he designed the scenery that would be so crucial to the 1958 dance. The garden is the one we’re told existed in Eden. No greenery for Noguchi (and not much innocence in … [Read more...]
Celebrating a 40-Year Career
Jane Comfort & Company Revisit Forty Years of Work In 1978, Jane Comfort and I were both forty years younger. Not a surprise? I guess not. But that sentence may prove a snappier lead than my starting off by recounting what Comfort has accomplished over those forty years and how many dances of hers I’ve seen. (See how I snuck the facts into my non-lead? Or should I spell it “lede” as did … [Read more...]
Juilliard Dancers Predicting Spring
Watching the Juilliard School’s annual Spring Dances, I think of young racehorses turned loose on a course. The Juilliard performers aren’t as young as those ballet dancers who join companies while still in high school; after four years at the school, they’ll graduate with BFAs. However, all that they’ve learned, and are still learning, is on the line in these performances, and often, they’re … [Read more...]