Susan Marshall, Jason Treuting, and Suzanne Bocanegra explore our perception of color. Is this the coolest ever lecture on color theory? Yes and no. It’s also a piece of theater created and performed at the Kitchen (June 23-25) by choreographer Susan Marshall, composer Jacob Treuting, and visual artist Suzanne Bocanegra. However, after seeing their Chromatic and its references to Bauhaus … [Read more...]
Archives for June 2016
Serious Subjects, Powerful Dancing
Alvin Ailey American Dance Theater's Lincoln Center season (6/8-19) What’s going on here? I exit onto the Lincoln Center Plaza after watching “21st Century Voices” one of the five programs that make up the Alvin Ailey American Dance Theater’s season at the former New York State Theater. Although I’ve seen plenty of spiritual aspiration and yearning toward the light, I haven’t noticed many … [Read more...]
You Are Not Alone
Jane Comfort and Company premieres You Are Here at The Kitchen Jane Comfort has a formidable history as one who attacks with an intellectual cleaver subjects that most choreographers avoid: government policies, sanctioned torture, public apathy, gender stereotypes, beauty contests, talent shows. She deconstructed Shakespeare (Cliff Notes Macbeth, 1980) and Tennessee Williams (Faith Healing, … [Read more...]
Redefining Wilderness in Music and Dance
Choreographer Brian Brooks and composer Jerome Begin collaborate at The Kitchen. I don’t know why Brian Brooks titled his fascinating new work Wilderness, since the word conveys that there’s no man-made order involved, while his “wilderness” is precisely structured with a considerable amount of over-and-over repetition by eight black-clad dancers (costumes by Karen Young). On a white floor, … [Read more...]
Once Upon a Time. . .
American Ballet Theater mounts Alexei Ratmansky's The Golden Cockerel. It occasionally happens that a ballet from another era comes to us tangled in its own history, even as it tries to make sense of it. American Ballet Theatre’s production of The Golden Cockerel as re-imagined by Alexei Ratmansky is just such a work—gorgeous to look at, often comical, often perplexing. At the end of the … [Read more...]
Emerging from, Returning to Dust
Yvonne Rainer's The Concept of Dust: Continuous Project—Altered Annually. So, a woman walks into The Kitchen and stands hesitantly before the audience. Behind her, at the back of the performing area, five dancers wait; there’s a gap in their shoulder-to-shoulder line. The woman—it is choreographer Yvonne Rainer— warns us, fumbling a bit for words, that she has bad news for us. About … [Read more...]
Love Finds a Way
American Ballet Theatre revives its production of Frederick Ashton's La Fille mal gardée. If I had been able to write about American Ballet Theatre’s production of Frederick Ashton’s La Fille Mal Gardée before the company’s performances of it ended on May 30, I would have said, “if you’re having a bad day, go see this ballet.” So fragrant, so tender is its depiction of love, innocence, … [Read more...]