Faye Driscoll at Danspace St. Marks and Netta Yerushalmy at the Harkness Dance Center bring spectators and performer closer together. The so-called fourth wall that separates performers from the spectators who’ve come to watch them is not always an obvious barrier like that created by a proscenium stage. Often it’s a virtual boundary that involves very little distance between the two zones. … [Read more...]
Archives for 2014
How Many Sallys Does It Take . . .?
Sally Silvers, Sally Gross, and Sally Bowden share a program. “Sally.” Seldom has an evening of dance been more appropriately titled. The performances presented by the Construction Company at the University Settlement on Eldridge Street showcased choreography by three vintage Sallys: Sally Gross, who was involved with Judson Dance Theater in the 1960s; Sally Bowden, who emerged in the … [Read more...]
Darkness and Light, Heat and Ice
Kimberly Bartosik/Daela premieres a work at New York Live Arts A lighting designer and a choreographer walk into a bar and. . . . No this is not a way to begin, especially if a joke doesn’t ensue; instead, the sentence announces a life-and-art collaboration that more likely began backstage. Kimberly Bartosik, the choreographer, and Roderick Murray, the lighting designer, have … [Read more...]
Islands Meet Underwater
Vanessa Anspaugh presents a new work at Danspace St. Marks. “No man is an island,/ Entire of itself,/ Every man is a piece of the continent,/A part of the main.” John Donne knew that in 1623 when, in bed with an undetermined illness, he wrote “Meditation XVII” of his Devotions upon Emergent Occasions. Choreographer Vanessa Anspaugh may have had something similar in mind when she titled her … [Read more...]
Rituals of Love and Regeneration
Souleymane Badolo at St. Mark's Church and David Parker's The Bang Group at Joe's Pub brighten a blustery weekend. How often do Valentine’s Day and President’s Day share the same long weekend? And how often do you venture out to see dancing in a city so snowy that Central Park evokes Valley Forge, and then discover upon leaving the performance that rain is pouring down and the street you … [Read more...]
Flying with Broken Wings
David Roussève/REALITY appears at Peak Performances, February 6-9. It’s a story you might read in the newspaper almost any day. An orphaned boy in an inner-city ghetto is sodomized by a foster father and bullied by the classmates he tries to emulate. The kid—fragile, good at heart, not too savvy, and gay—gets understanding from the school therapist, Miss Thelma, to whom he’s sent to for … [Read more...]
New Trails for Traditions
Pam Tanowitz makes her Joyce debut February 4-5 with two premieres. If Pam Tanowitz had been baptized into dance as an infant, Merce Cunningham and George Balanchine would surely have been standing on either side of the font, ready to serve as godfathers. Tanowitz’s choreographic works, like those shown on her recent program at the Joyce Theater, tell no stories. Nor do they seethe with … [Read more...]
Documenting Dance, Part 2
The Dance on Camera Festival 2014 presents Chantal Akerman's film about Tanztheater Wuppertal and Fabrice Herrault's about Rudolf Nureyev. Chantal Akerman’s One Day Pina Asked. . . (1985, in French with subtitles), was advertised by the Dance on Camera Festival as a “rare retrospective showing.” It was shot during a five-week tour by Pina Bausch’s Tanztheater Wuppertal. What the fine … [Read more...]
Documenting Dance, Part 1
New York's Dance on Camera Festival 2014 premieres two documentaries: Miss Hill: Making Dance Matter and Paul Taylor: Creative Domain. We’re old hands at documentary films about major figures in the art world. That is, we pretty much know what to expect: we’ll glimpse the artist at work and hear him or her talk about it—alive or in grainy film clips. Various soul mates, friends, colleagues, … [Read more...]
Pushing Into the Upper Room
Sarah Michelson premieres 4 at the Whitney Museum, January 24-February 2, 2014. Watching three of the four related works that Sarah Michelson presented between 2011 and 2014 is like entering an immaculate world of passion abstracted. And by passion, I don’t mean that of one person for another; Michelson seems more deeply involved in the devotion, the single-minded burning zeal demonstrated … [Read more...]