[contextly_auto_sidebar] LAST night, seeing Gillian Welch and Dave Rawlings play their last real LP, 2011's The Harrow and the Harvest, at the Orpheum in downtown LA, I realized that this was not just a record that I liked, or one that had made me play around with a couple of its songs on guitar, but one of the finest and most timeless albums of the last decade. It's got songs like Scarlet … [Read more...]
Songwriting’s Roots in Poetry and Prose
[contextly_auto_sidebar] GENERALLY, I'm skeptical of the glib and automatic denoting of any intelligent or articulate musician as "a poet." But the connection between popular song and literature go back, in the Anglo-American tradition, at least as long as The Beatles' interest in Lewis Carroll and Dylan's borrowing from Scottish Border ballads. Of course, at the beginning of the Western … [Read more...]
Billy Bragg and Joe Henry Ride the Rails
[contextly_auto_sidebar] WHAT happens when you take two of the best exemplars of stage patter in modern music, set them up in historic halls with old acoustic guitars, and let them unleash a set built on classic American train songs? An oddly satisfying, even at times thrilling, grownup show that made the railroad tradition seem like a central part of the American journey. Bragg is, of … [Read more...]
The bizarre wonder of The Iceland Concert
[contextly_auto_sidebar] About a week ago I went to see a cryptically named sort-of opera called "The Iceland Concert" at the John Anson Ford Amphitheater. I went mostly because of a vague interest in Scandinavian culture, because I was curious about the renovation of one of my favorite LA theaters, and because I trust the taste of the publicist. It didn't hurt that the success of groups like … [Read more...]