[contextly_auto_sidebar id="5JaPY4EuOTgKJQzRDmJq9iKTEWZtZtT7"] SHE's not just my favorite new jazz singer in many moons, but someone who points the way forward for the music. That's the sense I've gotten from the young, classically trained vocalist Cecile McLorin Salvant, who played the other night at Catalina's and whose album, WomanChild, is a knockout. Part of what I like about her is the … [Read more...]
“The Creative Economy,” and Malcolm Cowley
[contextly_auto_sidebar id="d46qMqunSiyQZaayiQ00FiACRUSOSiOO"] AN important survey has just come out from Otis College of Art and Design – its annual report on the “Creative Economy.” Previously concentrated on the Los Angeles area, the survey is now statewide. What motivates this study, and reports on things like "cultural tourism," is the urge by arts and culture types to show that we’re … [Read more...]
The Glories of Van Dyke Parks
[contextly_auto_sidebar id="ct3qiObIO1GjbjGS8WTsakgdEZd3a77u"] ONE of the great characters -- and great talents -- of Southern California, Van Dyke Parks, has experienced a renaissance lately. First known for his work with the Beach Boys and for his pop-baroque Song Cycle, Parks is an ornery Southerner with a big heart, an abiding love for music, and some serious frustrations with recent … [Read more...]
The Life and Death of the Alternative Press
IF it weren't for the '80s Village Voice, I probably would not be a journalist. (The world, I expect, would be a better place.) This weekend I have a story in Al Jazeera America about good times and bad for alternative weeklies. I talk about the crystalline sense of mission these publications had during conservative times, and the troubles they've had more recently. And I try to shine a light … [Read more...]
Richard Rodriguez on Religion, Atheism and Politics
SOMETIMES I wonder why the words -- especially the personal essays -- of Richard Rodriguez hit me so directly. He is a gay Latino born in the '40s, a devout if conflicted Catholic, and on many issues a political or social conservative. My origins and allegiances are very different and coincide with none of those categories (I have long thought of myself, for instance, as a Protestant agnostic on … [Read more...]
Returning to Charlie Haden, Jazz and Transcendence
TODAY I have been trying to move on to other things, but can’t get the memory of last night’s Charlie Haden/ Liberation Music Orchestra concert out of my mind. There are too many things to contemplate here, but let me offer a few stray thoughts. Overall: While this night was by no means perfect – there were minor technical problems early on, the musician most of us had come to see was in such … [Read more...]
Celebrating Charlie Haden
TUESDAY night in Los Angeles will see both a celebratory and a sad occasion: The jazz titan Charlie Haden – the lyrical bass player, free-jazz pioneer, crucial collaborator to Ornette Coleman and others, father to a four Los Angeles indie rockers, founder of CalArts jazz program – will lead his Liberation Music Orchestra at REDCAT. It has special music since this group – which Haden began in 1969 … [Read more...]
David Lowery vs. Silicon Valley
CAMPER Van Beethoven's singer David Lowery has become the most ornery of those fighting for musician's rights. He's erupted over piracy, Spotify, lyric websites, and the battle between the surviving Beastie Boys (with the ghost of Adam Yauch) and GoldieBlox. I speak to him for Salon here. He makes a pretty good case for what's wrong with Silicon Valley techno-utopianism, which leaves artists … [Read more...]
Digging the New Dean Wareham
DESPITE our well-documented bias for things West Coast, the Misread City gang has a deep and abiding love for the work of Dean Wareham going back to the Galaxie 500 and Luna eras. The day after seeing Luna on its first US tour (opening for the Sundays, if memory serves, and before the first LP), we walked to the local record store in Chapel Hill to pick up the band's Slide EP. (It was what we … [Read more...]
Disappearing Into "Invisible Cities"
THERE’s a phrase of John Cage’s I think about once in a while, despite having radically mixed feelings about the man and his work. “Theater exists all around us,” he once wrote, “and it is the purpose of formal theaterto remind us this is so.” This notion came alive for me the other night as I caught one of the last performances of Invisible Cities, the wild-ass, Calvino-inspired opera that … [Read more...]