[contextly_auto_sidebar id="wZSGDJOmSbhvFKacaUaPFIlOS5DNnjBE"] IS it more prominent than ever, or disappearing from American eyes and ears? It may be some of both, in a time in which opera is played in movie theaters and opera companies struggle to survive. An aptly ambivalent story by Mark Swed in the Los Angeles Times looks at the strange predicament of American opera in 2014. Things were … [Read more...]
The Roots of “Noah,” and More on San Diego Opera
[contextly_auto_sidebar id="C9NSdernwV8X41Rw5BV3m3kxC3W8iYky"] THE movie Noah was directed by one of the most talented filmmakers of my generation. He can also be one of the most erratic. I got to hang out a bit with Darren Aronofsky about a decade ago when he was following up his debut, Pi, with Requiem for Dream. He had a reputation even then for being difficult and stubborn, but he came across … [Read more...]
Slacker Noir in San Diego
THERE'S a pretty good TV show that's just made its debut on FX. Terriers -- don't know about the name -- is like a Ross Macdonald novel crossed with The Big Lebowski. Or something like that. Either way, the casting and storytelling are quite fine. (The second episode goes up Wednesday.)Here is my review, which leads this way:The protagonist in FX's "Terriers," Hank Dolworth (Donal Logue), is two … [Read more...]