[contextly_auto_sidebar id="yBD4c5vb8BM1hc18kDjMHHcBiA2hrCio"] ON the occasion of his new memoir, Going Into the City, which chronicles the roots of a rock critic and in some ways an entire generation of American pop-culture journalists, I spoke to Christgau about childhood, politics, fellow scribe Ellen Willis, pop, and the lost promise of the '60s. He's the author of immortal line, in his … [Read more...]
Pop Songs and the Novel: Against Vanguardism
[contextly_auto_sidebar id="a7mJx7Xejr8thGfyDNDHndexoDBA5XUC"] THE writer and critic Nick Hornby, who has a new novel out, wrote this a few years back in discussing the songs of Ben Folds: There is an argument that says pop music, like the novel, has found its ideal form, and in the case of pop music it’s the three- or four-minute verse/chorus/verse song. And if this is the case, then we … [Read more...]
Music For the Rich — Only
[contextly_auto_sidebar id="cELFSD2urf59ms0bpah0vxzoSfd8JREJ"] THE Brits have been more comfortable discussion notions of social/ economic class than we are here in this classless paradise. (Was it Rick Santorum who called "middle class" a Marxist term?) In any case, a new report from the British press asks, "is the music industry becoming a hobby for the upper classes?" The article, in I-D, is … [Read more...]
Music in the Age of Streaming
[contextly_auto_sidebar id="Fa2HMMUonP7cJZz5wWMQHx91Wm261nWI"] THE battle between artists and indie labels on one side and gigantic tech corporations on the other has taken on a sharp pitch. A New York Times story serves as a good summation of the terms of the fight, and gets at how it hits indie record labels in particular. Executives and advocates for the indies say they are vulnerable to … [Read more...]
Working for Free, Pro and Con
[contextly_auto_sidebar id="3yEpOmVWqQdiM8tHRZQ892WnlfCfPiSE"] AMAZINGLY, there are still gurus urging creatives that working for free -- for for-profit companies -- is a good "branding" move. An article in the Financial Times describes some who believe in the great opportunities of the digital age, and says that asking for -- and receiving -- free labor has continues to increase. But as … [Read more...]
“American Top 40,” Poptimism and Winner-Take-All
[contextly_auto_sidebar id="plD2J41Igr64VnQSKm3MiH74DQcHRIgZ"] IS it possible to hate Casey Kasem? Probably not. His show was a lot of fun, and he was the voice of Shaggy. But his death is being received in an odd way that's unfair to him and wrong about the way culture, popularity and economics work. In short, he's being drafted into a war in which he never fought. My new story in Salon … [Read more...]
The Dead End of Rock Touring
[contextly_auto_sidebar id="Za9VcxtAw6iJYej9lpme3Ycia9NvqadT"] JUST go on the road! Musicians who've seen their earnings from recorded music collapse should just tour more often, digital utopians tell them. But a new report shows that even with ticket prices getting higher, a 60 percent growth in touring revenues since 2000, and a supposed recovery from the depths of the recession, the … [Read more...]
The Withering of College Radio
[contextly_auto_sidebar id="seaquox9ilXMg837yigc8XqAWK7RXXeJ"] COLLEGE radio did an enormous amount to power the indie- and alt-rock movements, as well as to create havens on campuses. But is it now being crushed? That's the argument behind a Salon story timed to the loss of music programming at Georgia State's WRAS in Atlanta, as "GSU announced an agreement to hand over WRAS’s 100,000 watt … [Read more...]
What Literature and Rock n Roll Have to Say to Each Other
[contextly_auto_sidebar id="8lG1gx076ac8sMEbh9E4fK0epPYBWHeb"] THERE is a great new-ish journal out of San Franscisco that not only has the right idea, it has the follow-through. Radio Silence includes work by established elders (peerless short story writer Tobias Wolff), an interview with Lucinda Williams, and appearances by Carrie Brownstein, Rick Moody, even F. Scott Fitzgerald. It's all … [Read more...]
Is Cable TV’s Heyday Over? And, Guitarists’ Brains
[contextly_auto_sidebar id="3RwcvvUk1AC4BkVM7TnYA96GH4qbLhTJ"] SOMEWHERE between consensus and cliche is the idea that television is better than ever and has reached a new depth and intelligence. To optimists, The Wire, Homeland, Mad Men and so on show what's possible even in these difficult times for culture. My sense, as I looked into various economic models for Salon, here, is that the … [Read more...]