THE latest subject for my Influences column is dance god Savion Glover, who no less than Gregory Hines said may've been the finest tap dancer in history.Glover came to Broadway as a kid, and broke big with "Noise/Funk" in the mid '90s. He's been an exemplar of removing the Hollywood polish from tap dancing and reconnecting it to a specifically black and African lineage of rhythm.In my story … [Read more...]
The Roots of a Jazz Drummer
IT seems like everyone who saw Justin Faulkner's performance with Branford Marsalis out here has told me personally that we have to look out for this kid. Faulkner started that association on his 18th birthday, while still a high school senior.This week, as a ripe old man of 20, Faulkner spoke to me about his development as a jazz listener and drummer after cutting his teeth on R&B and gospel. … [Read more...]
The Roots of Preservation Hall
THE latest installment for my Influences column is Ben Jaffe, son of the founders of Preservation Hall Jazz Band and the New Orleans institution's current leader. (My story is here.)Jaffe, who marched in carnival parades as a 9-year-old and later attended Oberlin College, described classic Crescent City figures -- Jelly Roll Morton, Louis Armstrong -- as well as some lesser known musicians and a … [Read more...]
Kenny Burrell and The Future of Jazz
LAST week I wrote a story about the jazz guitarist Kenny Burrell, who celebrates his 80th birthday with a concert at Royce Hall on Saturday. In the course of it, I corresponded with music historian Ted Gioia about Burrell and some related issues concerning the past and future of the art form.I've included here our exchange. Gioia's The History of Jazz, on Oxford University Press, was recently … [Read more...]
Kenny Burrell and the Jazz Guitar
RECENTLY I had the pleasure to walk down memory lane with one of my musical heroes, who marked his 80th birthday over the summer and is still going strong.Here is my story on jazz guitarist Kenny Burrell, who will mark that milestone with a concert on Saturday Nov. 12. Burrell's playing is a very elegant and disciplined take on the blues.Burrell told me a lot of interesting stuff -- including that … [Read more...]
Catalina’s Jazz Club at 25
SOMETIMES culture works in strange ways. Twenty-five years ago this month, Catalina Popescu, who had emigrated to LA from an authoritarian Romania, a country without an especially rich jazz tradition, met the horn player Buddy Collette, and within a week had opened a jazz club.A quarter century later, Catalina's on Sunset is still open. With the demise of the beloved Jazz Bakery (soon to rise … [Read more...]
Sonny Rollins, Saxophone Colossus
THE other day I was lucky enough to speak to Sonny Rollins, the tenor saxophone legend who performs at UCLA's Royce Hall tonight, Thursday, and at Segerstrom Hall in Orange County on Sunday.These days, the once-brash, mohawk-rocking Rollins is 81, and, he's many decades from authoritative, agenda-setting records like Saxophone Colossus and Way Out West.But the Rollins I spoke to was easy to speak … [Read more...]
Jazz, Joni Mitchell and the Hollywood Bowl
YOU'LL get less of the introverted poet of Blue and only a hint of the lipstick-and-beret chanteuse of Court and Spark. Instead, Wednesday night will summon the jazz phase Joni Mitchell went through in the mid-to-late '70s. HERE is my LA Times story on the Hollywood Bowl show, Joni's Jazz, which will include all kinds of good people -- including Herbie Hancock, who recently took some … [Read more...]
The Roots of Bobby McFerrin
IS there a more annoying song from the 1980s than "Don't Worry Be Happy"? Maybe -- a lot of bad childhood memories are now flowing back, some of them involving George Michael -- but not one of my favorite number from that low dishonest decade.Debut LPHERE is my brief LA Times exchange with the man who helped revolutionize jazz singing and has made an impact in the classical world as well. (He also … [Read more...]
West Coast jazz on the Internet
FOR a jazz fan, Internet radio can be like going to one of those really bad mall food courts: Despite the superficial variety, much of what's served is awfully gooey. There are several "smooth" jazz stations for every one that plays real music. (This reflects, surely, the state of today's marketplace.) Commercial jazz radio us is not much better.But from an airy modernist house in Palm Springs, a … [Read more...]