[contextly_auto_sidebar] A FEW months ago I went to see a restored 70 mm print of 2001: A Space Odyssey, and film I had not seen (I realized) in decades. A number of things struck me, among them how beautifully and in some ways unconventionally Kubrick used the music in the film. (Of course, the the slow, ruminative, color-soaked grandeur of the movie was also very hard to miss.) This is of … [Read more...]
The Poetry of Leonard Cohen
[contextly_auto_sidebar] HE was born before Elvis, had his songs covered by everyone from Judy Collins to the Pixies, and managed five decades of brilliant work in a field that tends to see only bright flares. Leonard Cohen is known as a more-or-less rock musician to most of us, but he started out as a poet, publishing books for a decade before his debut LP. The other day I met Cohen's son, … [Read more...]
Reading With Aimee Mann
[contextly_auto_sidebar] LAST week I took a wild guess and approached singer/songwriter Aimee Mann for my musicians-on-writing column, All the Poets. As a longtime fan I had a vague sense that she was literary -- whatever that means -- but could not recall a specific reference to a novel or poem in any of her songs. Nor had we talked about books of any kind across the several interviews we'd … [Read more...]
Indie Publishing With Hat & Beard
[contextly_auto_sidebar] ONE of the things I'm most interested is how non-corporate, non-mainstream culture can survive after the 2008 crash. My conversations with J.C. Gabel -- the intense, passionate publisher of a small LA press called Hat & Beard -- give us all a glimpse of both the challenges to independent culture merchants as well as the possibilities. Hat & Beard is about to … [Read more...]
The Music of Inequality
[contextly_auto_sidebar] Remember the recession? A lot of Americans had their lives turned upside down by it. But popular music -- however you define the term -- never really engaged with the crash itself, or the widespread suffering and steep inequality that followed. In a new story for Vox, I looked at a wide range of American music released over the last decade, since the stock market crash … [Read more...]
Ayn Rand and Libertarianism
[contextly_auto_sidebar] FOR most of my life -- I was a kid during the Reagan Revolution -- I've been puzzled by otherwise smart people falling for Libertarianism and Ayn Rand's brand of freedom snake oil. Everybody likes the idea of freedom, but for the Fountainhead crowd, the notion acquires cartoonish dimensions, and their definition of the term seems to tilt toward rich businessmen and … [Read more...]
Punk, Indie Rock and Power Pop With Chris Stamey
[contextly_auto_sidebar] Though he's hardly a household name, North Carolina's Chris Stamey has been just alongside many of the key developments in left-of-the-dial rock music over the last four decades. As a young Southerner he visited and then moved to New York City right as CBGB's and Television were exploding, he helped found the dBs and Let's Active, which put him on on the ground floor of … [Read more...]
The Return of the Posies (Guest Columnist)
[contextly_auto_sidebar] FRIDAY night, the Seattle-area band the Posies stopped through the Bootleg Theater, which has gradually become one of my favorite places to see a show in Los Angeles. Out with me was a music writer whose work I've admired for 20 years (okay, she's now my wife), who was an ardent fan of the band back when they and a handful of other indie rockers were reviving power pop … [Read more...]
The Literary Courtney Barnett
[contextly_auto_sidebar] I CAN remember only a few times I've heard a song and immediately known I was hearing a major talent, someone I'd be paying attention to for years to come. The Smiths, Liz Phair, Pavement, Thelonious Monk, and Glenn Gould have all struck me that way. Time will tell if she really belongs in their company, but the Aussie singer-songwriter knocked me out with her song … [Read more...]
Southern Literature and the Drive-By Truckers
[contextly_auto_sidebar] CELEBRATED Yale historian C. Vann Woodward used to talk about the irony of Southern history, and the burden of Southern history, both phrases drawn in part from the novels of Faulkner. Patterson Hood, a son of Alabama who spent several decades in Athens, GA, before leaving the South like many a literary character before him, has made a fascinating songwriting career … [Read more...]